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United Irishmen in Training, published by Hannah Humphrey, 1798 (aquatint)
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United Irishmen in Training, published by Hannah Humphrey, 1798 (aquatint)
NCO189716 United Irishmen in Training, published by Hannah Humphrey, 1798 (aquatint) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: one of a pair of recruitment prints published during the Irish Rebellion; ); English, out of copyright
Media ID 23354914
© Bridgeman Images
Barefoot Defence Hanoverian Irishman Motley Propaganda Recruit Recruiting Recruitment Revolt Target Practice Uprising Volunteer
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EDITORS COMMENTS
This aquatint print, titled "United Irishmen in Training" offers a fascinating glimpse into the tumultuous times of 1798. Created by renowned artist James Gillray and published by Hannah Humphrey, this artwork served as a powerful tool for recruitment during the Irish Rebellion. The image portrays a scene of both satire and seriousness. A group of Irishmen, barefoot yet determined, engage in target practice under the watchful eye of their Hanoverian officers. The motley crew showcases the diverse backgrounds and social classes that united under one cause – defending their homeland against oppression. Gillray's satirical touch is evident in his caricature-like portrayal of these soldiers-in-training. Each figure embodies a unique personality, highlighting the individuality within this collective movement. Through clever use of exaggeration and humor, Gillray captures both the spirit and complexities surrounding this uprising. As an important piece of campaign propaganda from that era, "United Irishmen in Training" aimed to inspire others to join their cause. It serves as a reminder not only of the bravery displayed by those who fought for freedom but also highlights how art can be used as a persuasive force during times of revolt. Courtesy of New College Oxford's collection, this historical print allows us to delve into Ireland's past while appreciating Gillray's artistic talent and political commentary on Georgian society.
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