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Malachy felling the Munster coronation tree in 982, illustration from Hutchinson
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Malachy felling the Munster coronation tree in 982, illustration from Hutchinson
STC293113 Malachy felling the Munster coronation tree in 982, illustration from Hutchinsons Story of the British Nation, c.1923 (litho) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: Mael Sechnaill mac Domnaill (d.1022), King Malachy II of Ireland, succeeded to the throne in 980; destroyed the tree under which the Dalcassian Kings were crowned due to jealousy of Brian; ); The Stapleton Collection; English, out of copyright
Media ID 23384010
© The Stapleton Collection / Bridgeman Images
7 Deadly Sins Anger Angry Destroying Furor Rage Seven Deadly Sins Malachi Thomond
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EDITORS COMMENTS
The captivating lithograph captures a pivotal moment in Irish history, depicting Malachy II, the King of Ireland, felling the sacred Munster coronation tree in 982. Created by Richard Caton Woodville II and featured in Hutchinson's Story of the British Nation from c. 1923, this print is an exquisite piece that transports viewers back to a time filled with political intrigue and raw emotion. With his mighty axe raised high above his head, Malachy stands amidst a group of soldiers who mirror his anger and determination. The venerable tree, once revered as the symbol of power for Dalcassian Kings, now faces destruction due to Malachy's jealousy towards Brian. This act signifies not only the ruler's rage but also his desire to assert dominance over Thomond and Dalerssian territories. The engraving effectively conveys Malachy's intense feeling through its intricate details - every line etched on his face reflects both fury and regret. As we gaze upon this artwork from Bridgeman Images' Private Collection, we are reminded of the destructive force fueled by envy and ambition. This historical scene serves as a reminder of humanity's capacity for wrathful acts driven by one or more of the seven deadly sins. It invites us to reflect on our own emotions while appreciating Woodville's skillful portrayal of such complex feelings within this powerful illustration.
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