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Attention without (real) interest (engraving)
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Attention without (real) interest (engraving)
979845 Attention without (real) interest (engraving) by English School, (18th century); Private Collection; (add.info.: Attention without (real) interest, headshot of a woman in profile. Engraved by John Barlow. Published in Essays on physiognomy, by Johann Kaspar Lavater.); Look and Learn / Bernard Platman Antiquarian Collection; English, out of copyright
Media ID 22493004
© Look and Learn / Bernard Platman Antiquarian Collection / Bridgeman Images
Attention Expressions Facial Headshots Interest Physiognomy Real
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EDITORS COMMENTS
This print titled "Attention without (real) interest" transports us back to the 18th century, offering a glimpse into the world of physiognomy and human expressions. The engraving, created by an English School artist and engraved by John Barlow, showcases a headshot of a woman in profile. With her delicate features and piercing gaze, the woman's expression seems to convey attention but lacks genuine interest. Her eyes are fixed on something beyond our view, hinting at a mind preoccupied with thoughts distant from her immediate surroundings. This portrait serves as a testament to the complexity of human emotions and the intricacies of facial expressions. The image is part of Johann Kaspar Lavater's renowned work "Essays on physiognomy" which explores the relationship between external appearances and inner character traits. Lavater believed that one's face could reveal their true nature, making this engraving an intriguing study in deciphering hidden meanings through visual cues. As we delve into this thought-provoking artwork from Bernard Platman Antiquarian Collection, we are reminded that appearances can often be deceiving. It prompts us to question how well we truly know those around us and challenges our own ability to accurately interpret non-verbal communication. Through its timeless beauty and historical significance, this print invites us to reflect upon both our fascination with understanding others' intentions and our limitations in doing so.
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