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Hieronymus Tscheckenburlin and the Personification of Death
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Hieronymus Tscheckenburlin and the Personification of Death
3588540 Hieronymus TscheckenbAorlin and the Personification of Death, 1487 (mixed technique on limewood) by German School, (15th century); each panel: 40x29 cm; Kunstmuseum, Basel, Switzerland; (add.info.: Master of Basel; Upper Rhenish Master 15th century; Oberrheinischer Meister
Hieronymus TscheckenbAorlin (1461-1536) a lawyer who joined the Carthusians in Theodorskirchplatz Charterhouse in 1487, becoming prior in 1501.
The comparison with the figure of death symbolizes world renunciation in a macabre way. ); German, out of copyright
Media ID 22726014
© Bridgeman Images
Contrast Diptych Late Gothic Skeleton Mortality Northern Renaissance Oberrheinischer Meister Renunciation
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EDITORS COMMENTS
This print showcases the artwork titled "Hieronymus Tscheckenburlin and the Personification of Death" by the German School in the 15th century. The piece, created using a mixed technique on limewood, is housed in the Kunstmuseum in Basel, Switzerland. The diptych portrays Hieronymus Tscheckenburlin, a notable figure from history who transitioned from being a lawyer to joining the Carthusians at Theodorskirchplatz Charterhouse in 1487. He eventually became prior of this religious order in 1501. In this artwork, his image is juxtaposed with that of Death personified. The symbolism behind this composition lies in its macabre representation of world renunciation. Through contrasting imagery and elements such as youthfulness and flowers alongside mortality and skeletons, it conveys a profound message about life's transience and spiritual devotion. With its late Gothic style reminiscent of the Middle Ages and Northern Renaissance influences, this painting reflects both Christian themes and German artistic traditions. It serves as a testament to Germany's rich cultural heritage during that era. As an out-of-copyright image provided by Bridgeman Images, this print offers viewers an opportunity to appreciate not only the technical skill but also the deep religious significance embedded within this remarkable piece of art.
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