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Emperor Maximilian I, armed on horseback, 1508 (chiaroscuro woodcut)

Emperor Maximilian I, armed on horseback, 1508 (chiaroscuro woodcut)


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Emperor Maximilian I, armed on horseback, 1508 (chiaroscuro woodcut)

1217332 Emperor Maximilian I, armed on horseback, 1508 (chiaroscuro woodcut) by Burgkmair, Hans (c.1473-1531); 32.2x22.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German, out of copyright

Media ID 22536068

© Ashmolean Museum / Bridgeman Images

Armed Banner Caparison Double Headed Eagle Eagle Holy Roman Emperor Maximilian I Mounted Printmaking Westernart Northern Renaissance


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EDITORS COMMENTS
This print showcases Emperor Maximilian I, a prominent figure in European history, armed and mounted on horseback. Created in 1508 by the talented artist Hans Burgkmair, this chiaroscuro woodcut captures the essence of power and authority that surrounded the emperor. Maximilian I is depicted wearing his majestic armor, symbolizing his strength and readiness for battle. The double-headed eagle emblem of the Holy Roman Empire proudly adorns his attire, representing his imperial status. With a banner held high in one hand, he exudes confidence as he rides through an unknown territory. The composition of this artwork beautifully combines light and shadow to create a dramatic effect known as chiaroscuro. This technique adds depth to the image and emphasizes Maximilian's commanding presence. As we gaze at this stunning piece from the Ashmolean Museum in Oxford, UK, we are transported back to the Northern Renaissance period when art flourished under royal patronage. The attention to detail in both Maximilian's regal appearance and his caparisoned horse highlights not only their importance but also their harmonious connection. This print serves as a testament to Maximilian I's legacy as an influential ruler during an era marked by political turmoil and territorial expansion. It reminds us of the enduring impact that powerful leaders can have on history while showcasing Burgkmair's exceptional skill as an engraver capturing both human form and equine grace with precision.

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