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Philip Melanchton or unidentified man. 1812 (engraving)
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Philip Melanchton or unidentified man. 1812 (engraving)
7234575 Philip Melanchton or unidentified man.1812 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Unidentified man or Philip Melanchton, German theologian (1497-1560). Phil. Melanchton. Handcoloured copperplate stipple engraving by E. Bocquet after a portrait by Hans Holbein the Younger from Imitations of Original Drawings by Hans Holbein, John Chamberlaine, London, 1812.); © Florilegius
Media ID 31728006
© Florilegius / Bridgeman Images
Faces Hans Holbein The Younger Heads Holbein Hans The Younger 1497 1543 Huguenot Humanism Protestantism Religious Reform Theologian Theological Theologist Only One Person Reinassance Renaissance Time
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EDITORS COMMENTS
This print showcases an engraved portrait of Philip Melanchton or an unidentified man, created in 1812 by the renowned artist Hans Holbein the Younger. The image depicts a head and shoulders view of a distinguished individual, exuding an air of intellect and wisdom. The subject's face is beautifully captured with intricate details, showcasing Holbein's mastery as a painter. This handcoloured copperplate stipple engraving by E. Bocquet brings out the subtle nuances of expression and adds depth to the artwork. Philip Melanchton, a German theologian who lived from 1497 to 1560, is believed to be the figure depicted in this portrait. However, due to some uncertainties surrounding its identification, it remains possible that this could be an unknown gentleman from the same era. The artwork reflects both religious and intellectual themes prevalent during the Renaissance period. Melanchton was closely associated with Martin Luther and played a significant role in Protestantism's development through his theological writings and teachings. This exquisite piece serves as a testament to Holbein's artistic prowess while offering us glimpses into history - whether it portrays Philip Melanchton himself or another influential figure from sixteenth-century Germany remains open for interpretation.
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