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The Italian Girl, three quarter length, Looking to the Right; L Italienne

The Italian Girl, three quarter length, Looking to the Right; L Italienne


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The Italian Girl, three quarter length, Looking to the Right; L Italienne

826455 The Italian Girl, three quarter length, Looking to the Right; L Italienne, de Trois Quarts Regardant vers la Droite, c.1910-11 (oil on canvas) by La Fresnaye, Roger de (1885-1925); 75x57.5 cm; Private Collection; (add.info.: The Italian Girl, three quarter length, Looking to the Right; L Italienne, de Trois Quarts Regardant vers la Droite. Roger de la Fresnaye (1885-1925). Oil on canvas. Painted circa 1910-1911. 75 x 57.5cm.); Photo eChristies Images; French, out of copyright

Media ID 22738842

© Christie's Images / Bridgeman Images

1910 1911 Aversion Bosom Breast Brown Cubism Cubist Fresnaye Looking Away Mid Length Hair Modern Art Position Roger De La Fresnaye Skin Turning Away Woman Alone Artist French Ethnic Origin French Art French Artist Young Woman


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> Arts > Art Movements > Cubism

> Arts > Artists > L > Roger de La Fresnaye

> Arts > Contemporary art > Modern art > Cubism

> Arts > Still life artwork > Cubism > Cubism paintings

> Arts > Still life artwork > Cubism > Fine art

> Arts > Still life artwork > Cubism > Modern art

> Arts > Still life artwork > Oil paintings > Cubist paintings

> Arts > Modern art pieces > Cubism > Modern art

> Arts > Modern art pieces > Cubism

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> Fine Art Finder > Artists > Roger de La Fresnaye

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The Italian Girl, three quarter length, Looking to the Right; L Italienne

EDITORS COMMENTS
is a captivating oil painting by French artist Roger de la Fresnaye. Created around 1910-1911, this artwork measures 75x57.5 cm and is currently held in a private collection. In this close-up portrait, we are introduced to a young Italian woman who gazes away from the viewer with an air of aversion. Her posture and expression suggest a certain level of introspection or contemplation. With mid-length brown hair cascading down her shoulders, she stands against a neutral background that allows us to focus solely on her figure. La Fresnaye's cubist style is evident in his portrayal of the female form. The artist uses bold brushstrokes and vibrant colors to capture both the physicality and emotional depth of his subject. The woman's skin tone appears radiant against the backdrop, emphasizing her caucasian ethnicity. This early twentieth-century masterpiece showcases La Fresnaye's skillful ability to convey human emotions through art. The composition invites viewers into an intimate moment with the subject as she turns away from our gaze, creating an intriguing sense of mystery. "The Italian Girl" serves as a testament to La Fresnaye's contribution to modern art and his unique interpretation of cubism during this period. It remains an exquisite example of fine art that continues to captivate audiences with its beauty and complexity.

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