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Venus Italica, 1812 (marble)

Venus Italica, 1812 (marble)


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Venus Italica, 1812 (marble)

7130011 Venus Italica, 1812 (marble) by Canova, Antonio (1757-1822); Palazzo Pitti, Florence, Italy; (add.info.: Venus Italica, 1812, Antonio Canova, Pitti palace, Florence, Italy); Photo © Stefano Baldini

Media ID 31945788

© Stefano Baldini / Bridgeman Images

Antonio 1757 1822 Antonio Canova Aphrodite Canova Canova Antonio 1757 1822 Diety Divinities Eternal Father Godess Heavenly Father Marble Block Marble Stones Sculptor Sculptors Sculpturer Towel Towels Venus Vénus Anadyomène Venus Aphrodite Venus De Milo Beauties Divinity Goddesses Mythological Character Mythological Figure Myths Semi Nude


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EDITORS COMMENTS
This print showcases the exquisite marble sculpture, "Venus Italica" created by the renowned artist Antonio Canova in 1812. The artwork is housed in the magnificent Palazzo Pitti in Florence, Italy. Canova's masterpiece depicts Venus, the Roman goddess of love and beauty, with remarkable grace and elegance. The sculpture beautifully captures her mythological essence as a divine figure embodying femininity and allure. The smoothness of the marble brings out every intricate detail of Venus' body, emphasizing her ethereal beauty. Her nudity symbolizes purity and vulnerability while also celebrating human form as a work of art. In this particular photograph, Stefano Baldini skillfully captures not only the sculpture but also adds an artistic touch by including a towel draped over Venus' arm. This subtle addition creates a sense of intimacy and realism to an otherwise timeless piece. The juxtaposition between classical mythology and contemporary photography techniques highlights the enduring appeal of ancient art forms even in modern times. It serves as a reminder that great works like "Venus Italica" continue to inspire awe and admiration centuries after their creation. Overall, this print invites viewers to appreciate both Canova's masterful craftsmanship and Baldini's ability to capture its essence through his lens.

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