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View of Mount Fuji from Hakone mountains, sketched at 3 a. m

View of Mount Fuji from Hakone mountains, sketched at 3 a. m


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View of Mount Fuji from Hakone mountains, sketched at 3 a. m

425475 View of Mount Fuji from Hakone mountains, sketched at 3 a.m. in early January, 1881 (colour woodblock print) by Kobayashi Kiyochika (1847-1915); 19.1x28.3 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; Arthur M. Sackler Gallery, Smithsonian Institution; Robert O. Muller Collection; Japanese, out of copyright

Media ID 23182160

© Arthur M. Sackler Gallery, Smithsonian Institution Robert O. Muller Collection / Bridgeman Images

East Asia East Asian Fujiyama Hakone Meiji Era Mount Fuji Telegraph Pole Volcano Volcanoes Travellers


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EDITORS COMMENTS
This print titled "View of Mount Fuji from Hakone mountains, sketched at 3 a. m" by Kobayashi Kiyochika takes us on a journey through time and space. The artist's meticulous attention to detail transports us back to the early morning hours of January in 1881. In this stunning landscape, we are presented with a breathtaking view of Mount Fuji, Japan's iconic volcano. The majestic mountain rises proudly against the dark sky, its snow-capped peak illuminated by the soft glow of moonlight. It stands as a symbol of beauty and serenity amidst the tranquil countryside. As our gaze wanders across the scene, we notice figures scattered throughout - perhaps weary travelers or locals who have ventured out to witness this awe-inspiring sight. A lone telegraph pole adds an intriguing touch, reminding us that even in this remote location, technology has made its mark. Kiyochika's use of color in this woodblock print is masterful; he captures the ethereal quality of the moment with delicate brushstrokes and subtle shades. This piece belongs to the esteemed Robert O. Muller Collection housed at Arthur M. Sackler Gallery within Smithsonian Institution in USA. Through this artwork, we are transported not only geographically but also temporally into Japan's Meiji era – a period marked by modernization and cultural transformation. It serves as a testament to Kiyochika's talent for capturing both natural beauty and human presence within his landscapes. This image

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