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The Flight into Egypt, 1862 (stained glass)

The Flight into Egypt, 1862 (stained glass)


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The Flight into Egypt, 1862 (stained glass)

MOK120137 The Flight into Egypt, 1862 (stained glass) by Burne-Jones, Edward Coley (1833-98); St. Michael and All Angels Church, Brighton, Sussex, UK; (add.info.: commissioned from Morris, Marshall, Faulkner and Company; East Chapel on the South Side; ); Martyn O Kelly Photography; English, out of copyright

Media ID 22363434

© Martyn O'Kelly Photography / Bridgeman Images

Pre Raphaelite


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Related Images

> Animals > Fishes > C > Coley

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Artists > Edward Burne-Jones > Pre-Raphaelite art

> Arts > Artists > Edward Burne-Jones

> Europe > United Kingdom > England > East Sussex > Brighton

> Europe > United Kingdom > England > East Sussex > Related Images

> Europe > United Kingdom > England > Sussex > Brighton

> Europe > United Kingdom > England > Sussex > Related Images

> Fine Art Finder > Artists > Edward Coley Burne-Jones

> Fine Art Finder > Artists > Greek

> Fine Art Finder > Stained Glass


EDITORS COMMENTS
This photograph captures a stunning stained glass window titled "The Flight into Egypt" by the renowned artist Edward Coley Burne-Jones. Created in 1862, this masterpiece is located at St. Michael and All Angels Church in Brighton, Sussex, UK. Commissioned from Morris, Marshall, Faulkner and Company, this exquisite piece of art adorns the East Chapel on the South Side of the church. The intricate details and vibrant colors bring to life the biblical story of Joseph, Mary, and baby Jesus fleeing to Egypt to escape King Herod's wrath. Martin O'Kelly's photography skillfully captures every nuance of this pre-Raphaelite window. The image showcases Burne-Jones' exceptional talent for storytelling through art as he depicts the tender moment when Mary cradles her child while Joseph leads them towards safety. The play of light through stained glass creates an ethereal atmosphere that transports viewers into a world where faith intertwines with artistic brilliance. This photograph serves as a testament to both Burne-Jones' mastery and O'Kelly's ability to capture its essence. As we gaze upon this print, we are reminded of the power that art holds in preserving history and evoking emotions across generations. It stands as a timeless reminder of humanity's enduring search for refuge amidst adversity – a theme that resonates even more strongly today.

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Related Images


Harwarden, St Deiniol, Morris & Co. Edward Burne-Jones, The Magi, The Nativity, 1898
Harwarden, St Deiniol, Morris & Co. Edward Burne-Jones, The Magi, The Nativity, 1898
Nun Monkton, St Mary, Morris Marshall & Faulkner & Co, William Morris, Edward Burne-Jones
Nun Monkton, St Mary, Morris Marshall & Faulkner & Co, William Morris, Edward Burne-Jones
Edinburgh, St Giles Cathedral, Morris & Co. Edward Burne-Jones, Maria, 1886
Edinburgh, St Giles Cathedral, Morris & Co. Edward Burne-Jones, Maria, 1886
Oxford Harris Manchester College, Morris & Co. Edward Burne-Jones, West Wisndow, 1896
Oxford Harris Manchester College, Morris & Co. Edward Burne-Jones, West Wisndow, 1896
Angels, 1862 (stained glass)
Angels, 1862 (stained glass)
King David Harping, 1876 (stained glass)
King David Harping, 1876 (stained glass)

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