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Antonia Minor as a priestess of Ceres, 1st century (sculpture)
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Antonia Minor as a priestess of Ceres, 1st century (sculpture)
7322945 Antonia Minor as a priestess of Ceres, 1st century (sculpture) by Roman, (1st century AD); Louvre, Paris, France; (add.info.: Antonia Minor as a priestess of Ceres. Wife of Drussus the elder and mother of Germanicus and the roman emperor Claudius. Marble.
Louvre Museum; Paris; France); © Frank Buffetrille. All rights reserved 2022
Media ID 28437952
© Frank Buffetrille. All rights reserved 2022 / Bridgeman Images
1 1st I Ist Century 1 Century 1st 1st 1st Century 1st Century 1st Century A 1st Century Ad Aristocratic Artistocrat C1st First Century First Century Ad First Christian Century I Century Ist Century Roman Art Womenfolk Antic Rome Art Style Pagan Paganism Pagans Polytheism Polytheist Religious Orders Religious Role Societies
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EDITORS COMMENTS
The captivating sculpture titled "Antonia Minor as a priestess of Ceres, 1st century" transports viewers back to ancient Rome, offering a glimpse into the world of aristocracy and religious practices. Created by an unknown Roman artist in the 1st century AD, this marble masterpiece now resides in the Louvre Museum in Paris, France. The sculpture depicts Antonia Minor, wife of Drussus the elder and mother to Germanicus and Claudius – two influential figures in Roman history. Dressed in intricate garments made from luxurious textiles, Antonia stands with poise and grace as she embodies her role as a priestess of Ceres. Ceres was an important goddess associated with agriculture, fertility, and abundance. As a priestess dedicated to her worship, Antonia's position held great significance within religious orders during this time period. Her presence exudes both power and reverence. This artwork not only showcases exceptional craftsmanship but also provides insight into the social structure and religious beliefs of ancient Rome. The attention to detail is evident in every aspect – from the delicate drapery of her clothing to the serene expression on her face. As we admire this remarkable piece created over two thousand years ago, we are reminded of how art has always been intertwined with religion and society throughout history. It serves as a testament to human creativity and our eternal quest for meaning beyond ourselves.
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