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Antiochus disease or Antiochus and Stratonice Antiochus (324-261 BC
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Antiochus disease or Antiochus and Stratonice Antiochus (324-261 BC
JLJ4591906 Antiochus disease or Antiochus and Stratonice Antiochus (324-261 BC) is sick of love for his stepmother Stratonice. Painting on canvas by Raymond Balze after the painting by Jean Auguste Dominique Ingres (1780-1867) 1866 Dim. 0, 61x0, 92 m Montpellier, musee Fabre - The Disease of Antiochus or Antiochus and Stratonice. Antiochus (324-261 BC) is sick with love for his stepmother. Painting by Jean Auguste Dominique Ingres (1780-1867), 1866. 0.61 x 0.92 m. Fabre Museum, Montpellier, France by Ingres, Jean Auguste Dominique (1780-1867) (after); Musee Fabre, Montpellier, France; (add.info.: Antiochus disease or Antiochus and Stratonice Antiochus (324-261 BC) is sick of love for his stepmother Stratonice. Painting on canvas by Raymond Balze after the painting by Jean Auguste Dominique Ingres (1780-1867) 1866 Dim. 0, 61x0, 92 m Montpellier, musee Fabre - The Disease of Antiochus or Antiochus and Stratonice. Antiochus (324-261 BC) is sick with love for his stepmother. Painting by Jean Auguste Dominique Ingres (1780-1867), 1866. 0.61 x 0.92 m. Fabre Museum, Montpellier, France); Photo ePhoto Josse; French, out of copyright
Media ID 23720582
© Josse / Bridgeman Images
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EDITORS COMMENTS
This print captures the essence of "Antiochus disease or Antiochus and Stratonice". The painting on canvas, created by Raymond Balze after Jean Auguste Dominique Ingres' original work in 1866, depicts a poignant scene from ancient history. In this artwork, we witness the tragic tale of Antiochus (324-261 BC), who is consumed by an overwhelming love for his stepmother, Stratonice. The artist masterfully portrays Antiochus' internal struggle as he battles with his forbidden emotions. His face reflects both longing and torment, capturing the intensity of his unrequited love. The composition itself is strikingly beautiful; every brushstroke seems to convey emotion and depth. Ingres' attention to detail is evident in every aspect of the painting - from the delicate folds of clothing to the subtle play of light and shadow. Displayed at Montpellier's Fabre Museum in France, this piece serves as a testament to Ingres' artistic prowess and ability to evoke powerful emotions through art. It invites viewers into a world long past but still resonant with human experiences such as desire, heartache, and inner conflict. As we gaze upon this photo print, we are transported back in time to witness a moment frozen forever on canvas – a moment that speaks volumes about the complexities of human nature and our eternal quest for love.
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