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The giant Polyphemus with Galatea and the herdsman Acis, from the Sala di Amore e Psiche

The giant Polyphemus with Galatea and the herdsman Acis, from the Sala di Amore e Psiche


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The giant Polyphemus with Galatea and the herdsman Acis, from the Sala di Amore e Psiche

BEN78446 The giant Polyphemus with Galatea and the herdsman Acis, from the Sala di Amore e Psiche, 1528 (fresco) by Romano, Giulio (1492-1546) (and workshop); Palazzo del Te, Mantua, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Media ID 22807034

© Raffaello Bencini / Bridgeman Images

Acorn Bear Bears Cave Club Cyclops Galatee Grotto Jealousy Mannerist Pan Pipes Polypheme


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EDITORS COMMENTS
This print captures the essence of Giulio Romano's masterpiece, "The giant Polyphemus with Galatea and the herdsman Acis" adorning the walls of Sala di Amore e Psiche. Painted in 1528, this fresco transports us to a world of mythological enchantment within Palazzo del Te in Mantua, Italy. At its center stands the imposing figure of Polyphemus, the one-eyed Cyclops from Greek mythology. With his muscular frame and menacing club held firmly in hand, he exudes power and dominance. Beside him is Galatea, a beautiful nymph who captivates both gods and mortals alike with her ethereal beauty. Her delicate form contrasts against Polyphemus' ruggedness as she gazes upon him with affection. Intriguingly, we also see Acis, a humble herdsman caught between these two extraordinary beings. His presence adds an element of human vulnerability amidst this fantastical scene. The setting itself is equally mesmerizing - a grotto adorned with oak wreaths and acorns that symbolize strength and fertility. The cave's dark recesses create an air of mystery while bears roam freely nearby, reminding us that nature's wild spirit can never be tamed. Romano's Mannerist style shines through every brushstroke; exaggerated poses and elongated figures lend an otherworldly quality to this composition. Through Raffaello Bencini's lens, we

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