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The Virgin Mary with Infant Jesus and Infant St. John, 1650 (oil on canvas)
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The Virgin Mary with Infant Jesus and Infant St. John, 1650 (oil on canvas)
5973988 The Virgin Mary with Infant Jesus and Infant St. John, 1650 (oil on canvas) by Sassoferrato, Il (Giovanni Battista Salvi) (1609-85); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia, Pinacoteca Tosio Martinengo: " Madonna con il Bambino e S. Giovannino", di Giovan Battista Salvi, detto il Sassoferrato, 1650. Olio su tela.); Ghigo Roli
Media ID 25138254
© Ghigo Roli / Bridgeman Images
Arte Bambin Gesu Brescia Cristianesimo Dipinto A Olio Il Seicento Infant Jesus John La Vergine Lombardia Maria Museo Pinacoteca Tosio Martinengo Pittura Religione Santo The 17th Century The Virgin Xvii Secolo Infant St Sassoferrato
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This oil painting, titled "The Virgin Mary with Infant Jesus and Infant St. John" transports viewers to the serene world of 17th-century Italy. Created by Sassoferrato, also known as Giovanni Battista Salvi, this masterpiece showcases his exceptional talent in capturing religious subjects. In this artwork, we witness a tender moment between the Virgin Mary and two young boys: her own son, Jesus Christ, and St. John the Baptist as an infant. The artist's meticulous brushstrokes bring these figures to life on the canvas, emphasizing their divine purity and innocence. Mary gazes lovingly at both children while cradling baby Jesus in her arms. The presence of St. John adds a symbolic touch as he reaches out to embrace his cousin with affectionate adoration. Their expressions radiate tranquility and harmony, evoking a sense of profound spirituality that resonates with viewers. The soft lighting illuminates their faces against a dark background, enhancing the ethereal atmosphere surrounding them. This contrast further emphasizes their celestial nature and invites contemplation on themes of motherhood, faith, and devotion. Displayed at Pinacoteca Tosio Martinengo in Brescia, Italy, this remarkable artwork continues to captivate visitors from around the world who are drawn to its timeless beauty and spiritual significance. It serves as a testament to Sassoferrato's mastery in portraying religious subjects during the Baroque period while inspiring awe through its delicate composition and emotional depth.
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