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The resurrection, The Virgin, Saint Sebastian and the sponsors. Averoldi polyptych
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The resurrection, The Virgin, Saint Sebastian and the sponsors. Averoldi polyptych
LRI4687671 The resurrection, The Virgin, Saint Sebastian and the sponsors. Averoldi polyptych. 16th century (Painting on wood) by Titian (Tiziano Vecellio) (c.1488-1576); Church of the St. Nazzaro and Celso, Brescia, Italy; (add.info.: The resurrection " The Virgin" " Saint Sebastian" and the sponsors. Panels of the Averoldi polyptych. Painting on wood by Tiziano Vecellio called Titian (ca. 1490-1576) 16th century Brescia, Church of Saints Nazzaro and Celso); Luisa Ricciarini; Italian, out of copyright
Media ID 23717554
© Luisa Ricciarini / Bridgeman Images
Arrow Arrows Mecenate Mecene Patron Resurrection San Sebastian Venetian Art Cinquecento
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EDITORS COMMENTS
This print showcases the Averoldi polyptych, a masterpiece created by the renowned Italian artist Titian in the 16th century. The polyptych consists of several panels, with this particular image featuring "The Resurrection" "The Virgin". Saint Sebastian, and their sponsors. Painted on wood with meticulous detail and vibrant colors, Titian's work brings to life these biblical characters and scenes. In the center stands Jesus Christ himself, triumphant in his resurrection. On either side of him are the Virgin Mary and Saint Sebastian, both depicted with grace and devotion. The composition is further enriched by angelic figures surrounding the central characters. Their presence adds an ethereal quality to the painting as they hover above, offering prayers and protection. Notably, this artwork holds significant religious symbolism. The arrows piercing Saint Sebastian's body represent his martyrdom for his faith. Meanwhile, the sponsors' inclusion emphasizes their patronage of this sacred piece. Housed in Brescia's Church of Saints Nazzaro and Celso since its creation centuries ago, this polyptych continues to inspire awe among viewers today. Through capturing every intricate detail of Titian's original painting on wood, photographer Luisa Ricciarini allows us to appreciate not only its artistic brilliance but also its profound spiritual significance.
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