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Paolina Adorno Brignole Sale, 1627 (oil on canvas)
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Paolina Adorno Brignole Sale, 1627 (oil on canvas)
7352700 Paolina Adorno Brignole Sale, 1627 (oil on canvas) by Dyck, Anthony van (1599-1641); 286x151 cm; Musei di Strada Nuova, Genoa, Liguria, Italy; (add.info.: Artiste: Antoon Van Dyck (1599-1641)); Luisa Ricciarini
Media ID 31936537
© Luisa Ricciarini / Bridgeman Images
17th Century Fashion Anthony Van Dyck Armchair Armchairs Baroque Art Baroque Style Curtain Curtains Dyck Anthony Van 1599 1641 Florals Genoa Liguria Ligurian Nobles 17 17th 17th 17th Xvii 18th Century Art Style Building Interior Circa 1600 Early 17th Century Early Xvii Century Flemish Art Flemish Artist Noble Piece Of Furniture Room Interior Seventeeth Century Societies
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EDITORS COMMENTS
The captivating portrait of Paolina Adorno Brignole Sale, painted by Anthony van Dyck in 1627, is a true masterpiece that exudes elegance and sophistication. The oil on canvas print showcases the artist's remarkable talent in capturing the essence of his subject. In this painting, Paolina Adorno Brignole Sale stands gracefully against a backdrop of luxurious curtains, highlighting her noble status within Genoa society. She is adorned with exquisite 17th-century fashion, wearing an intricately designed gown that accentuates her femininity. Her regal presence is further enhanced by the vibrant colors and delicate floral arrangements surrounding her. Seated upon an ornate armchair, Paolina emanates poise and confidence as she gazes into the distance. The attention to detail in every brushstroke brings life to her features and evokes a sense of timeless beauty. Anthony van Dyck's mastery shines through in this piece as he captures not only the physical likeness but also the inner essence of his subject. Through his skilled use of color and composition, he creates a harmonious balance between realism and artistic expression. This stunning artwork from Bridgeman Images transports us back to a bygone era where nobility reigned supreme and art was used to immortalize their grandeur. It serves as a testament to both Van Dyck's genius as well as the enduring allure of historical portraiture.
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