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Three white Narcissi, from Hortus Eystettensis, by Basil Besler (1561-1629) pub
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Three white Narcissi, from Hortus Eystettensis, by Basil Besler (1561-1629) pub
STC255015 Three white Narcissi, from Hortus Eystettensis, by Basil Besler (1561-1629) pub. 1613 (hand coloured engraving) by German School, (17th century); Private Collection; (add.info.: 1. Narcissus Maximus medeo purpureus 2. Narcissus medeo luteus 3. Narcissus medeo purpureus. Besler was an apothecary in Nuremberg and was in charge of the gardens of the Prince Bishop near Eichstat); The Stapleton Collection; German, out of copyright
Media ID 23190544
© The Stapleton Collection / Bridgeman Images
Bulb Daffodil Narcissus Scented Spring Yellow
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EDITORS COMMENTS
This stunning print captures the delicate beauty of three white Narcissi, featured in Basil Besler's Hortus Eystettensis. Created by the German School in the 17th century, this hand-colored engraving showcases the exquisite details and vibrant colors that make these flowers truly mesmerizing. The Narcissus Maximus medeo purpureus, Narcissus medeo luteus, and Narcissus medeo purpureus are elegantly displayed against a dark background, allowing their pure white petals to shine brightly. Each flower exudes a gentle fragrance that adds to their allure. Basil Besler was not only an apothecary but also had the privilege of tending to the gardens of the Prince Bishop near Eichstat. His expertise is evident in his meticulous depiction of these narcissi. The precision and accuracy with which he portrays each petal and leaf demonstrate his deep understanding of botanical artistry. As we gaze upon this enchanting image, we are transported to a world where spring has arrived, filling our senses with hope and renewal. These daffodils symbolize new beginnings and serve as a reminder that even amidst darkness, there is always light waiting to bloom. This print from Bridgeman Images allows us to appreciate nature's wonders through art. It invites us to pause for a moment and immerse ourselves in the timeless beauty captured within its frame.
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