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Title page of Mamusse wunneetupanatamwe Up-Biblum Good, 1663 (engraving)
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Title page of Mamusse wunneetupanatamwe Up-Biblum Good, 1663 (engraving)
MHS257798 Title page of Mamusse wunneetupanatamwe Up-Biblum Good, 1663 (engraving) by American School, (17th century); 18.1x14.5 cm; Massachusetts Historical Society, Boston, MA, USA; eMassachusetts Historical Society; American, out of copyright
Media ID 22948900
© Massachusetts Historical Society / Bridgeman Images
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EDITORS COMMENTS
The captivating title page of Mamusse wunneetupanatamwe Up-Biblum Good, 1663 (engraving) transports us back to the 17th century, offering a glimpse into the rich cultural heritage of early America. This intricate print, created by an anonymous American School artist, measures 18.1x14.5 cm and is housed in the Massachusetts Historical Society in Boston. The engraving showcases a harmonious blend of artistic elements and religious symbolism. The central focus is on a beautifully adorned Bible, surrounded by delicate floral motifs that exude elegance and grace. The meticulous craftsmanship evident in every detail speaks volumes about the skill and dedication of its creator. As we delve deeper into this artwork's historical significance, it becomes apparent that it represents more than just an exquisite piece of art. Mamusse wunneetupanatamwe Up-Biblum Good was one of the first books ever printed in North America using indigenous languages—specifically Algonquian dialects spoken by Native American tribes. This profound fusion between European printing techniques and Native American culture highlights the complex interactions between different communities during this period. It serves as a testament to both cultural exchange and colonial expansion. Preserved for centuries within the walls of Massachusetts Historical Society, this engraving continues to inspire awe with its beauty while reminding us of our shared history—a visual reminder that transcends time itself.
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