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Esther Denouncing Haman to King Ahasuerus, 1888 (oil on canvas)
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Esther Denouncing Haman to King Ahasuerus, 1888 (oil on canvas)
TW429355 Esther Denouncing Haman to King Ahasuerus, 1888 (oil on canvas) by Normand, Ernest (1857-1923); 167x244.5 cm; Sunderland Museum & Winter Gardens, Tyne & Wear, UK; (add.info.: This dramatic scene is from the Old Testament of the Bible. Esther, wife of the King of Persia, is pointing accusingly at Haman, a treacherous friend of the King. King Ahasuerus is sitting in the shadows behind Esther. The strong contrasts of light and shade, and the theatrical poses create a vivid scene. The style and subject are characteristic of the History painting style, which carried great prestige at this time. Ernest Normand was a successful London painter. He showed this picture at the Royal Academy, London in 1888; ); eSunderland Museums; English, out of copyright
Media ID 22407302
© Sunderland Museums / Bridgeman Images
Accusation Courtier Courtiers Persian Pointing Biblical Scene
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EDITORS COMMENTS
This print captures the intense moment of "Esther Denouncing Haman to King Ahasuerus" in 1888. Painted by Ernest Normand, this oil on canvas masterpiece measures an impressive 167x244.5 cm and is housed in the Sunderland Museum & Winter Gardens in Tyne & Wear, UK. The scene depicted here originates from the Old Testament of the Bible. Esther, a courageous wife of the King of Persia, fearlessly points an accusing finger at Haman, a treacherous friend of her husband. The shadowy figure of King Ahasuerus looms behind Esther as she confronts Haman with her righteous anger. Normand's skilled use of light and shade creates striking contrasts that enhance the dramatic atmosphere within this biblical court setting. The theatrical poses adopted by each character further intensify their emotions and bring this vivid scene to life. This painting exemplifies the esteemed style known as History painting which held great prestige during its time. Normand himself was a successful London painter who exhibited this remarkable piece at the Royal Academy in 1888. With its religious significance and powerful portrayal of accusation and justice, this artwork resonates deeply with viewers across different faiths and backgrounds. It serves as a testament to both artistic skill and storytelling prowess while capturing a pivotal moment from biblical history for all to appreciate.
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