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Allegorical portrait presumed to be Marie de Cleves (1533-74) 1671 (oil on canvas)

Allegorical portrait presumed to be Marie de Cleves (1533-74) 1671 (oil on canvas)


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Allegorical portrait presumed to be Marie de Cleves (1533-74) 1671 (oil on canvas)

XMN183364 Allegorical portrait presumed to be Marie de Cleves (1533-74) 1671 (oil on canvas) by Lairesse, Gerard de (1640-1711); Musee de Picardie, Amiens, France; (add.info.: wife of Henri, Prince of Conde; ); Giraudon; French, out of copyright

Media ID 12748044

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Cornucopia Cupid Laurel Wreath Princess


EDITORS COMMENTS
This portrait, presumed to be of Marie de Cleves, takes us back in time to the 17th century. Painted by Gerard de Lairesse in 1671, this oil on canvas print showcases the elegance and grace of a noblewoman from that era. Marie de Cleves, wife of Henri, Prince of Conde, is depicted seated with poise and confidence. Her regal presence is enhanced by her elaborate attire adorned with intricate details. A cornucopia rests beside her, symbolizing abundance and prosperity. A laurel wreath graces her head, signifying victory and honor. It serves as a reminder of Marie's esteemed position within society. Cupid hovers nearby, adding an element of romance and enchantment to the scene. The artist masterfully captures Marie's beauty through his brushstrokes. Her delicate features are highlighted by soft lighting that accentuates her flawless complexion. Every detail - from the strands of hair cascading down her shoulders to the subtle blush on her cheeks - contributes to creating a lifelike representation. Displayed at Musee de Picardie in Amiens, France, this allegorical portrait offers us a glimpse into the world of aristocracy during the 16th century. It invites contemplation about power dynamics and societal expectations placed upon women at that time. As we admire this artwork today, we can appreciate both its historical significance and artistic brilliance. The timeless allure exuded by Marie de Cleves continues to captivate viewers

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