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The Sick Prince, published by S.W. Fores in 1787 (etching)
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The Sick Prince, published by S.W. Fores in 1787 (etching)
NCO193114 The Sick Prince, published by S.W. Fores in 1787 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: George, Prince of Wales (1762-1830); Lord Thurlow (1731-1806) armed with dagger; Mrs Fitzherbert (1756-1837) and Whigs praying for recovery; government resentment at clandestine marriage;)
Media ID 33090338
© Bridgeman Images
Ailing Bare Beams Bonnet Rouge Charles James Fox Crest Crushing Devil Document Faux Feathers Gleaming Grim Reaper Hanoverian James Gillray Liberty Cap Petition Plumes Political Satire Scandal Scandalous Scythe Sickbed Tiara Trampling Britisch Britisch
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The Sick Prince
EDITORS COMMENTS
is a satirical etching published by S. W. Fores in 1787, created by the renowned artist James Gillray. This scathing satire depicts George, Prince of Wales, who would later become King George IV, lying on his sickbed while surrounded by Lord Thurlow armed with a dagger and Mrs Fitzherbert along with Whigs praying for his recovery. The print captures the political turmoil surrounding the prince's clandestine marriage to Mrs Fitzherbert, which had caused resentment within the government. The image showcases various symbolic elements such as nudity representing vulnerability and scandal, bonnet rouge symbolizing revolution, and plumes signifying political power. Gillray's meticulous attention to detail is evident in this artwork; every element has been carefully crafted to convey its satirical message. From Charles James Fox trampling on a broken javelin to the grim reaper looming over the sick prince with a scythe, each component adds depth and meaning to the overall composition. This piece serves as both a portrait of an ailing prince and a powerful political statement. Through clever use of caricature and symbolism, Gillray highlights not only personal scandals but also broader issues within Georgian society. "The Sick Prince" remains an important work of art that reflects Gillray's mastery in capturing social commentary through visual storytelling. It stands as a testament to his skill as an artist and his ability to provoke thought through satire.
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