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A Man doing the Splits, c.1760-90 (pen & brown and grey ink on paper)

A Man doing the Splits, c.1760-90 (pen & brown and grey ink on paper)


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A Man doing the Splits, c.1760-90 (pen & brown and grey ink on paper)

XYC242393 A Man doing the Splits, c.1760-90 (pen & brown and grey ink on paper) by Dance, George (1741-1825); 18.7x14.6 cm; Yale Center for British Art, Paul Mellon Collection, USA

Media ID 33068714

© Bridgeman Images

Acrobat Acrobats Ballet Dancer Circus Circus Performance Gymnast Orchestra Performer Plump Recto Saltimbanque Supple


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EDITORS COMMENTS
This photo print, titled "A Man doing the Splits" takes us back to a time between 1760 and 1790 when acrobats mesmerized audiences with their incredible feats. Created by George Dance, this pen and brown and grey ink on paper artwork measures 18.7x14.6 cm and is housed in the prestigious Yale Center for British Art's Paul Mellon Collection in the USA. In this image, we witness a male performer showcasing his extraordinary flexibility as he effortlessly executes the splits. The artist's attention to detail brings out every contour of the acrobat's body, highlighting his supple movements with precision. Transporting us to an era of Georgian elegance, this drawing captures not only the physical prowess of its subject but also evokes a sense of theatricality. One can imagine this performance taking place on a grand stage adorned with plush velvet curtains while an orchestra plays enchanting melodies in the pit below. The plumpness of our protagonist adds an interesting dimension to his character, challenging conventional notions of what it means to be agile and graceful. This piece reminds us that beauty comes in all shapes and sizes. Bernie C. Staggers' expert curation allows us to appreciate this remarkable artwork without any distractions or commercial motives. It invites viewers into a world where circus performances were celebrated as high art forms, leaving them captivated by both skillful athleticism and artistic expression alike

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