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View of Toamasina, Madagascar (engraving)

View of Toamasina, Madagascar (engraving)


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View of Toamasina, Madagascar (engraving)

2789322 View of Toamasina, Madagascar (engraving) by French School, (19th century); Private Collection; (add.info.: View of Toamasina (Tamatave), Madagascar. The French bombarded and occupied the harbour of Toamasina in December 1894. Les Evenements de Madagascar, Vue generale de Tamatave. Illustration for Le Petit Parisien (Supplement Litteraire Illustre), 20 January 1895. Digitally cleaned image.); © Look and Learn

Media ID 22712128

© Look and Learn / Bridgeman Images

Coast Scenery Coastal Feature Coastl Conquest Indian Ocean Invasion Madagascar Malagasy Tamatave Toamasina


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> Arts > Landscape paintings > Coastal landscapes > Landscape paintings

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> Arts > Landscape paintings > Landscape art > Coastal scenery paintings

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EDITORS COMMENTS
This print showcases a mesmerizing view of Toamasina, Madagascar, captured through the intricate art of engraving by the French School in the 19th century. The image takes us back to a significant moment in history when France bombarded and occupied the harbor of Toamasina in December 1894. The scene depicts a picturesque coastal town nestled along the Indian Ocean, with charming houses dotting the landscape. It offers a glimpse into both Malagasy and French cultures, highlighting the impact of colonialism during this era. The composition beautifully captures the essence of this seaside settlement, with its serene sea stretching out towards the horizon. The coastline serves as a reminder of Madagascar's rich maritime heritage and its historical significance as an island nation. Through this artwork, we are transported to an era marked by conquest and invasion. It invites us to reflect on France's presence in its overseas territories and their influence on local communities. This digitally cleaned image allows us to appreciate every detail meticulously engraved by talented artists from that time period. Its inclusion in Le Petit Parisien (Supplement Litteraire Illustre) on January 20th, 1895 further highlights its cultural significance. As we admire this remarkable piece from Bridgeman Images' private collection, let it serve as a testament to our shared history and encourage dialogue about colonial legacies around the world.

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