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The triumph of St. Thomas Aquinas (1225-1274) is represented surrounded by Plato (right
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The triumph of St. Thomas Aquinas (1225-1274) is represented surrounded by Plato (right
JLJ4591719 The triumph of St. Thomas Aquinas (1225-1274) is represented surrounded by Plato (right) and Aristotle, of whom he is the disciple. At his feet, William of Saint-Amour lay down. On top Christ blessing the evangelists. Below, Pope Sixtus IV (1414-1484) presiding over a council in the presence of Saint Thomas Aquinas and Saint Bonaventure (whom he inducted). Painting by Benozzo di Lese di Sandro dit Benozzo Gozzoli (1420/1422-1497). From the Duomo of Pisa. by Gozzoli, Benozzo di Lese di Sandro (1420-97); Louvre, Paris, France; (add.info.: The triumph of St. Thomas Aquinas (1225-1274) is represented surrounded by Plato (right) and Aristotle, of whom he is the disciple. At his feet, William of Saint-Amour lay down. On top Christ blessing the evangelists. Below, Pope Sixtus IV (1414-1484) presiding over a council in the presence of Saint Thomas Aquinas and Saint Bonaventure (whom he inducted). Painting by Benozzo di Lese di Sandro dit Benozzo Gozzoli (1420/1422-1497). From the Duomo of Pisa.); Photo ePhoto Josse; Italian, out of copyright
Media ID 22866434
© Josse / Bridgeman Images
Aristotle 384 322 Chretiente Christendom Christianisme Intellectual Intellectuel Paganisme Philosophe Philosophie Philosophy Plato 428 348 Religion Chretienne Chretien Saint Thomas Aquinas 1228 1274 Conversation Paganism Peinture Quattrocento
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EDITORS COMMENTS
This print captures the magnificent painting by Benozzo di Lese di Sandro, also known as Benozzo Gozzoli, titled "The Triumph of St. Thomas Aquinas". In this masterpiece, St. Thomas Aquinas (1225-1274) stands at the center, surrounded by two great philosophers - Plato on his right and Aristotle, his esteemed disciple. At their feet lies William of Saint-Amour, symbolizing the triumph of Aquinas' teachings over secular opposition. Above them all, Christ blesses the evangelists who spread His word to the world. Below this divine scene, Pope Sixtus IV (1414-1484) presides over a council in the presence of both St. Thomas Aquinas and another revered saint named Bonaventure. Painted for Duomo of Pisa in Italy during the 15th century Renaissance period, Gozzoli's artwork showcases his exceptional talent in capturing religious themes with intricate details and vibrant colors. This print allows us to appreciate not only Gozzoli's artistic brilliance but also highlights the significance of St. Thomas Aquinas' contributions to Christian theology and philosophy. It serves as a visual representation of how he bridged ancient Greek wisdom with Catholic doctrine through his deep understanding of Plato and Aristotle's teachings. Displayed proudly at Louvre Museum in Paris today, this timeless piece continues to inspire viewers with its spiritual depth and historical context that transcends time itself.
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