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"There was an Old Man with a poker, who painted his face with red ochre", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)
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"There was an Old Man with a poker, who painted his face with red ochre", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)
LLM386605 " There was an Old Man with a poker, who painted his face with red ochre", from A Book of Nonsense, published by Frederick Warne and Co. London, c.1875 (colour litho) by Lear, Edward (1812-88); Private Collection; (add.info.: Written 1846; ); © Look and Learn
Media ID 25465992
© Look and Learn / Bridgeman Images
Absurd Aggression Aggressive Anecdote Beating Childrens Eccentric Face Paint Humourous Limerick Limericks Old Person Rhyme Rhymes Stick Striking Violent Senile Verse
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EDITORS COMMENTS
This vibrant and whimsical print captures the essence of Edward Lear's famous limerick, "There was an Old Man with a poker, who painted his face with red ochre". Published in A Book of Nonsense by Frederick Warne and Co. in London around 1875, this colour lithograph showcases Lear's unique blend of satire and humor. The image depicts an elderly man holding a poker as he mischievously paints his face with red ochre. With its exaggerated features and comical expression, the illustration perfectly complements the absurdity of the accompanying verse. The old man's walking stick stands nearby, hinting at both his age and potential for mischief. Lear's limericks often featured eccentric characters engaged in humorous or nonsensical activities. In this particular poem, he playfully explores themes of aggression and violence through a satirical lens. The use of face paint adds an element of disguise to the scene, further emphasizing the absurdity. As one delves into this artwork, it becomes evident that Lear possessed a remarkable ability to create striking visuals that brought his verses to life. This print serves as a testament to his talent as both an illustrator and poet. With its vivid colors and clever composition, this delightful piece from A Book of Nonsense continues to captivate audiences today while offering a glimpse into Victorian literature for children.
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