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Religious icon, produced in Russia, 1750-1850 circa (metal)
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Religious icon, produced in Russia, 1750-1850 circa (metal)
5925151 Religious icon, produced in Russia, 1750-1850 circa (metal) by Russian School (18th century); National Army Museum, London; (add.info.: Religious icon, produced in Russia, 1750-1850 circa.
This icon has 12 vignettes painted onto plaster, illustrating scenes from the life of Christ and the Virgin. These include the Presentation of the Virgin, the Annunciation, the Nativity, the Presentation of Christ at the Temple, the Baptism of Christ, the Transfiguration, ChristAs entry into Jerusalem on a donkey and the Dormition of the Virgin Mary. They are arranged around a larger central image of ChristAs descent into Limbo.
The icon is mounted above an inscription in heavy gilt frame. The inscription relates to the discovery of the icon by Lieutenant-Colonel J N Sargent, 3rd (The East Kent) Regiment of Foot (The Buffs), in 1855 after the Russians had withdrawn from Sevastopol during the Crimean War (1854-1856).); eNational Army Museum; Russian, out of copyright
Media ID 23264896
© National Army Museum / Bridgeman Images
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EDITORS COMMENTS
This print showcases a religious icon produced in Russia between 1750 and 1850. Created by the Russian School of the 18th century, this metal icon is now housed at the National Army Museum in London. The intricate details of this piece are truly remarkable. Painted onto plaster, there are twelve vignettes that depict various scenes from the life of Christ and the Virgin Mary. These include significant moments such as the Presentation of the Virgin, the Annunciation, and even Christ's entry into Jerusalem on a donkey. What makes this icon particularly unique is its central image depicting Christ's descent into Limbo. Surrounding it are these beautifully painted vignettes that add depth to its overall narrative. Mounted above an inscription within a heavy gilt frame, this particular icon holds historical significance as well. Lieutenant-Colonel J N Sargent from The East Kent Regiment discovered it in 1855 after Russian forces withdrew from Sevastopol during the Crimean War. With its rich history and exquisite craftsmanship, this religious icon serves as both a symbol of faith and an artistic masterpiece. Its presence evokes a sense of reverence and awe while offering viewers a glimpse into centuries-old traditions and beliefs.
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