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Portrait of Madame d Uzes became the mistress of Paul III
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Portrait of Madame d Uzes became the mistress of Paul III
XEE4170647 Portrait of Madame d Uzes became the mistress of Paul III (Alexander Farnese known as Paulus III or Paolo III, 1468-1549). Engraving in " History of the Popes (...) Crimes of the Queen King and Emperors through the centuries" by Maurice Lachatre, 1863. by French School, (19th century); Private Collection; (add.info.: Portrait of Madame d Uzes became the mistress of Paul III (Alexander Farnese known as Paulus III or Paolo III, 1468-1549), Engraving in " History of the Popes (...) Crimes of the Queen King and Emperors through the centuries" by Maurice Lachatre, 1863); Stefano Bianchetti; French, out of copyright
Media ID 22754174
© Stefano Bianchetti / Bridgeman Images
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This engraving, titled "Portrait of Madame d Uzes became the mistress of Paul III" offers a glimpse into the intriguing world of 15th-century royalty. The subject of this portrait is none other than Madame d Uzes, who rose to prominence as the mistress of Alexander Farnese, also known as Paulus III or Paolo III. The artist skillfully captures Madame d Uzes in exquisite detail, showcasing her beauty and elegance. Her costume reflects the fashion trends of the time, transporting us back to an era filled with opulence and grandeur. With a medium age setting, this portrait exudes a sense of mystery and allure. Originally featured in Maurice Lachatre's renowned publication "History of the Popes. . . Crimes of the Queen King and Emperors through the centuries" in 1863, this engraving has stood the test of time. It now resides in a private collection where it continues to captivate art enthusiasts. Stefano Bianchetti's masterful execution brings out every intricate detail with precision. Through his work, we are transported back to an era when power dynamics shaped relationships between monarchs and their mistresses. This print serves as a testament to both historical significance and artistic excellence. It allows us to delve into a fascinating chapter in European history while appreciating Bianchetti's talent for capturing human emotion on paper.
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