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Portrait of Charles IX, King of France (1550-1574). Painting by Leonard Limosin
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Portrait of Charles IX, King of France (1550-1574). Painting by Leonard Limosin
JLJ4691216 Portrait of Charles IX, King of France (1550-1574). Painting by Leonard Limosin (1505-1577), 16th century. Email from Limoges. Metz, Museum of Fine Arts by Limosin, Leonard (c.1505-77); Musee des Beaux-Arts, Metz, France; (add.info.: Portrait of Charles IX, King of France (1550-1574). Painting by Leonard Limosin (1505-1577), 16th century. Email from Limoges. Metz, Museum of Fine Arts); Photo ePhoto Josse; French, out of copyright
Media ID 22819526
© Josse / Bridgeman Images
Charles 9 King Of France Charles Ix 9 1550 1574 Charles Ix King Of France 1550 1574 Valois Family
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EDITORS COMMENTS
This portrait captures the essence of Charles IX, King of France, during the 16th century. Painted by Leonard Limosin, a renowned artist from Limoges, this masterpiece showcases the skill and artistry of the era. Charles IX, a member of the Valois family and ruler of France from 1550 to 1574, is depicted with regal poise and dignity. The intricate details in his attire and facial features reveal not only his status as a king but also his youthfulness. Limosin's brushstrokes bring life to Charles IX's expression, capturing both strength and vulnerability in his gaze. The vibrant colors used in this painting further enhance its visual impact. Displayed at the Museum of Fine Arts in Metz, France, this artwork serves as a testament to French history and royalty. It offers viewers an opportunity to delve into the rich tapestry of European culture during that time period. As we admire this remarkable piece today through ePhoto Josse's lens, it reminds us of how art can transcend time and connect us with our past. This portrait immortalizes Charles IX as more than just a historical figure; it allows us to glimpse into his world and understand him on a deeper level. Through Limosin's talent and attention to detail, we are transported back to an era where kings ruled with authority yet were still subject to their own human emotions.
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