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Pillage of works of art under Napoleon Bonaparte: "
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Pillage of works of art under Napoleon Bonaparte: "
JLJ4618644 Pillage of works of art under Napoleon Bonaparte: " The Madonna of Correge (Antonio Correggio) was taken from the Academy of Parma and handed over to the French curators in May 1796". Drawing with Chinese ink by Charles Meynier (1768-1832). Dim. 0, 17x0, 32 m. Paris, Louvre Museum by Meynier, Charles (1768-1832); Louvre, Paris, France; (add.info.: Pillage of works of art under Napoleon Bonaparte: " The Madonna of Correge (Antonio Correggio) was taken from the Academy of Parma and handed over to the French curators in May 1796". Drawing with Chinese ink by Charles Meynier (1768-1832). Dim. 0, 17x0, 32 m. Paris, Louvre Museum); Photo ePhoto Josse; French, out of copyright
Media ID 22282636
© Josse / Bridgeman Images
Looting Napoleon I 1st 1st Bonaparte 1769 1821 Photojosse
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EDITORS COMMENTS
This print captures a significant moment in history, depicting the pillage of works of art under the rule of Napoleon Bonaparte. The focal point of the image is "The Madonna of Correge" by Antonio Correggio, which was taken from the Academy of Parma and handed over to French curators in May 1796. Drawn with Chinese ink by Charles Meynier, this artwork measures 0.17x0.32 meters and now resides in the Louvre Museum in Paris. The photograph beautifully showcases the intricate details and delicate strokes that bring this historical event to life. The image serves as a reminder of Napoleon's military conquests and his desire to amass cultural treasures for France during his reign. It highlights both the power and influence he held over conquered territories, as well as his appreciation for fine art. In addition to its historical significance, this print also offers an opportunity for reflection on issues such as looting, ownership rights, and preservation of cultural heritage. It invites viewers to contemplate the ethical implications surrounding these actions while appreciating the artistic beauty captured within. Overall, this visually striking image provides a glimpse into a pivotal moment in European history when art became not only a symbol of power but also subject to political maneuvering and appropriation.
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