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Napoleon I, wounds in front of Regensburg, is treated by surgeon Yvan, April 23, 1809
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Napoleon I, wounds in front of Regensburg, is treated by surgeon Yvan, April 23, 1809
JLJ4651446 Napoleon I, wounds in front of Regensburg, is treated by surgeon Yvan, April 23, 1809. Painting by Pierre Gautherot (1765-1825), 1810, oil on canvas, 3.7 x5.1 m. Versailles, castles of Versailles and Trianon. by Gautherot, Pierre (1769-1825); ChAteau de Versailles, France; (add.info.: Napoleon I, wounds in front of Regensburg, is treated by surgeon Yvan, April 23, 1809. Painting by Pierre Gautherot (1765-1825), 1810, oil on canvas, 3.7 x5.1 m. Versailles, castles of Versailles and Trianon.); Photo ePhoto Josse; French, out of copyright
Media ID 22854736
© Josse / Bridgeman Images
Foot Napoleon I 1769 1821 Napoleon I 1st 1st Bonaparte 1769 1821 Napoleonic War War Wounded
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EDITORS COMMENTS
This print captures a significant moment in history, depicting Napoleon I being treated for his wounds in front of Regensburg on April 23,1809. Painted by Pierre Gautherot in 1810, this oil on canvas masterpiece measures an impressive 3.7 x 5.1 meters and is housed at the Château de Versailles. The painting showcases the intense atmosphere of war as Napoleon sits atop his horse while surgeon Yvan tends to his injuries. The artist's attention to detail is evident in every brushstroke, bringing the scene to life with vivid colors and intricate textures. Napoleon's wounded foot serves as a reminder of the sacrifices made during battle, highlighting both the physical toll of war and the resilience of its participants. The presence of horses further emphasizes the role they played in warfare during that era. As one gazes upon this artwork, it becomes clear that it not only depicts a historical event but also conveys a sense of admiration for Napoleon's leadership amidst adversity. This piece offers viewers an opportunity to reflect on the bravery and sacrifice exhibited by soldiers throughout history. With its grand scale and masterful execution, this painting stands as a testament to Gautherot's artistic prowess and serves as a poignant reminder of the enduring legacy left behind by Napoleon Bonaparte.
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