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Heraclius I (Flavius Heraclius, Herakleios (circa 575-610 / 641), Byzantine emperor
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Heraclius I (Flavius Heraclius, Herakleios (circa 575-610 / 641), Byzantine emperor
XEE4181029 Heraclius I (Flavius Heraclius, Herakleios (circa 575-610/641), Byzantine emperor, made a triumphant entrance to Constantinople. He climbed on a chariot reached by four elephants and brought before him the True Cross (Holy Cross) which had been taken from Jerusalem. 7th century. Engraving in " Beaute de l histoire du basse empire" redige by P. J. B. N. 1814. by Unknown Artist, (19th century); Private Collection; (add.info.: Heraclius I (Flavius Heraclius, Herakleios (circa 575-610/641), Byzantine emperor, made a triumphant entrance to Constantinople. He climbed on a chariot reached by four elephants and brought before him the True Cross (Holy Cross) which had been taken from Jerusalem. 7th century. Engraving in " Beaute de l histoire du basse empire" redige by P. J. B. N. 1814.); Stefano Bianchetti; out of copyright
Media ID 23700950
© Stefano Bianchetti / Bridgeman Images
Byzantine Catholic Cross Chariot Constantinople Elephant Parade Triumph Christendom Coupling Turk
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EDITORS COMMENTS
This print captures the triumphant entrance of Byzantine emperor Heraclius I to Constantinople in the 7th century. In this momentous event, Heraclius stands atop a chariot supported by four majestic elephants, as he presents before him the revered True Cross, also known as the Holy Cross, which had been taken from Jerusalem. The engraving is part of "Beaute de l'histoire du basse empire" written by P. J. B. N. in 1814. The image showcases not only the grandeur and power of Heraclius but also symbolizes the significance of religion and its influence on political affairs during that time. The presence of the True Cross emphasizes Christianity's central role in Byzantine society and highlights its sacred connection to Jerusalem. The artist skillfully portrays this historic event with intricate details, capturing every element from the coupling between elephants to Heraclius' regal stance on his chariot. The black and white medium adds a timeless quality to this depiction of an era long past. As we gaze upon this remarkable artwork, we are transported back to a pivotal moment in history when emperors paraded through Constantinople amidst great fanfare and religious relics were venerated with utmost reverence. It serves as a reminder of how art can preserve significant moments for future generations to appreciate and learn from.
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