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Caricature of Maximilien de Robespierre (1758-94), 1793 (colour litho)
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Caricature of Maximilien de Robespierre (1758-94), 1793 (colour litho)
CHT224185 Caricature of Maximilien de Robespierre (1758-94), 1793 (colour litho) by French School, (18th century); Bibliotheque Nationale, Paris, France; (add.info.: La Marmite Epuratoire des Jacobins; ); eArchives Charmet; French, out of copyright
Media ID 22360320
© Archives Charmet / Bridgeman Images
Boiling Cannibalism Cooking Pot Ladle Phrygian Cap Purification Purifying Saucepan Stew French Revolution
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EDITORS COMMENTS
This print captures the essence of Maximilien de Robespierre, a prominent figure during the French Revolution. The caricature, created in 1793 by an anonymous artist from the French School, showcases Robespierre's controversial role as a leader of the Jacobins. In this colorful lithograph, aptly titled "La Marmite Epuratoire des Jacobins" we see Robespierre depicted in a satirical manner. He is portrayed wearing his iconic Phrygian cap and standing beside a boiling stew pot labeled "Jacobin Purification". This clever representation alludes to both his political power and the radical methods employed by the Jacobin Club. The image also hints at darker undertones with its references to cannibalism and ladles used for stirring. It serves as a commentary on how Robespierre's pursuit of revolutionary ideals led to extreme measures that devoured those who opposed him. Displayed against a backdrop of revolutionaries and symbols of France, this caricature offers insight into the turbulent times that shaped modern history. Its vivid colors and detailed composition draw viewers into contemplating not only Robespierre's persona but also the consequences of unchecked power within any political movement. Preserved in Bibliotheque Nationale in Paris, France, this artwork remains an important historical artifact that continues to provoke thought and discussion about one man's impact on an entire nation during one of its most transformative periods—the French Revolution.
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