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Balaam and the Ass, 1622 (oil on panel)
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Balaam and the Ass, 1622 (oil on panel)
990083 Balaam and the Ass, 1622 (oil on panel) by Lastman, Pieter (1583-1633); 40.3x59.4 cm; Private Collection; (add.info.: Balaam and the Ass. Pieter Lastman (1583-1633). Oil on panel. Painted in 1622. 40.3 x 59.4cm.); Photo © Christies Images
Media ID 25456392
© Christie's Images / Bridgeman Images
1620s 1622 Animal Cruelty Animal Theme Animal Themes Arm Raised Armed Arms Raised Artist Dutch Balaam Baroq Baroque Art Baroque Era Baroque Period Baroque Style Beaten Book Of Numbers Clown Clowns Club Dutch Art Dutch Artist Early Seventeenth Century Entertainer Fool Hitting Holy Bible Hooved Mammal Jester Judaic Medium Group Medium Group Of People Netherlandish Artist Old Master Paintings One Animal Orthodox Jews Raised Arm Torah Touring Transit Defensive Weapon Infantry Weapon Jewish Religion Lastman Pieter Lastman
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EDITORS COMMENTS
This print showcases Pieter Lastman's masterpiece, "Balaam and the Ass" painted in 1622. The oil on panel artwork measures 40.3 x 59.4 cm and is currently held in a private collection. Lastman, a renowned Netherlandish artist of the early seventeenth century, skillfully captures this biblical scene with his signature style. In this outdoor setting, we witness Balaam, a fool from the Book of Numbers in the Old Testament, encountering an extraordinary moment during his journey. Standing before us is a man with arms raised high in astonishment as he confronts an ass that speaks to him miraculously. The composition beautifully portrays the dramatic encounter between man and animal, emphasizing their contrasting postures and expressions. The painting's rich colors and intricate details highlight Lastman's mastery of oil painting techniques. As we delve into this Baroque-era artwork, we are reminded of its religious significance within Christianity and Judaism alike. The image evokes contemplation about themes such as faith, obedience, and divine intervention. Lastman's portrayal also raises questions about humanity's relationship with animals - particularly through the depiction of animal cruelty inflicted upon the beaten donkey by Balaam. Overall, this stunning piece serves as a testament to Lastman's talent as a Dutch artist while inviting viewers to reflect on timeless biblical narratives that continue to resonate today.
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