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Transept of St Mary Redcliffe, looking South, 1828 (w / c & pencil on paper)

Transept of St Mary Redcliffe, looking South, 1828 (w  /  c & pencil on paper)


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Transept of St Mary Redcliffe, looking South, 1828 (w / c & pencil on paper)

2831442 Transept of St Mary Redcliffe, looking South, 1828 (w/c & pencil on paper) by Johnson, James (1803-34); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; English, out of copyright

Media ID 23131754

© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images

Bristol Nave Transept Ecclesiastical


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Related Images

> Architecture > Religious

> Architecture > Styles > Gothic Architecture

> Arts > Art Movements > Medieval Art

> Arts > Artists > J > William James

> Arts > Fine Art

> Europe > United Kingdom > England > Bristol > Bristol

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > Frederick Mackenzie

> Fine Art Finder > Artists > James Johnson

> Fine Art Finder > Interiors: Ecclesiastical & Formal


EDITORS COMMENTS
This print takes us back in time to the Transept of St Mary Redcliffe, looking South, in 1828. The artist, James Johnson, skillfully captured the essence of this magnificent religious space with watercolor and pencil on paper. As we gaze upon this image, we are transported into the heart of a medieval church. The intricate details of the architecture showcase the grandeur and beauty that define Gothic design. The soaring nave draws our eyes upward towards the heavens, evoking a sense of awe and reverence. The play of light and shadow within the transept adds depth and drama to the scene. Sunlight streams through stained glass windows, casting vibrant hues onto stone pillars and ornate carvings. It is as if time stands still within these sacred walls. St Mary Redcliffe's historical significance cannot be understated; it has been an integral part of Bristol's cultural fabric for centuries. This painting serves as a testament to its enduring legacy. Thanks to William Jerdone Braikenridge's generous bequest in 1908, this artwork now resides in Bristol Museum and Art Gallery where it can be admired by all who visit. Its presence reminds us not only of our rich architectural heritage but also invites contemplation on spirituality and faith. In capturing this moment frozen in time, Johnson has given us a glimpse into history - an exquisite fusion of artistry and devotion that continues to inspire generations today.

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