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Two Pairs of Portraits, Presented to all the Unbiased Electors of Great Britain
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Two Pairs of Portraits, Presented to all the Unbiased Electors of Great Britain
NCO189704 Two Pairs of Portraits, Presented to all the Unbiased Electors of Great Britain, by John Horne Tooke (1736-1812) published by J. Wright and inscribed For ye Anti-Jacobin Review, 1798 (etching with engraving) by Gillray, James (1757-1815); 19.5x16.3 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: painting Charles James Fox (1749-1806) and William Pitt the Younger (1759-1806); ); English, out of copyright
Media ID 22601912
© Bridgeman Images
Attributes Chamber Pot Deceit Documents Easel Hanoverian Honesty Judges Paintbrush Palette Picture Truth Vice
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EDITORS COMMENTS
This print titled "Two Pairs of Portraits, Presented to all the Unbiased Electors of Great Britain" offers a fascinating glimpse into the political landscape of 18th century England. Created by James Gillray and published by J. Wright in 1798, this etching with engraving showcases the portraits of two influential statesmen - Charles James Fox and William Pitt the Younger. The composition is rich with symbolism, as it features a chamber pot filled with documents representing deceit and vice. The presence of judges and attributes associated with honesty further emphasizes the theme of political corruption. A bust of Machiavelli serves as a reminder of the manipulative tactics employed by politicians during that era. Gillray's satirical approach is evident through his caricature-like depiction, exaggerating certain features to emphasize each politician's personality traits. Fox is portrayed as charismatic but morally questionable, while Pitt appears more composed and serious. The artist's use of various artistic tools such as paintbrushes, easel, palette, and sketchbook hints at their involvement in shaping public opinion through artistry. This piece not only reflects on the political climate but also highlights how artists played an essential role in critiquing power structures. Overall, this print provides a thought-provoking window into British politics during this period while showcasing Gillray's exceptional talent for satire and social commentary.
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