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The Butter Plate, number 92, Satirical in Colours, 1903_1_3: England Great Britain
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The Butter Plate, number 92, Satirical in Colours, 1903_1_3: England Great Britain
ICA4880915 The Butter Plate, number 92, Satirical in Colours, 1903_1_3: England Great Britain, Nocturne - Homemaids - Illustration by Francisco Sancha Lengo (1874-1936) by Sancha y Lengo, Francisco (1874-1936); (add.info.: The Butter Plate, number 92, Satirical in Colours, 1903_1_3: England Great Britain, Nocturne - Homemaids - Illustration by Francisco Sancha Lengo (1874-1936)); Photo eCaricadoc; Spanish, out of copyright
Media ID 23718182
© Caricadoc / Bridgeman Images
Candle Candle Holder Corridor Hotel Nightgown Tourist Caricadoc Journalism Years 1900
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The Butter Plate, number 92, Satirical in Colours
EDITORS COMMENTS
is a captivating print that takes us back to the early 20th century in England. This satirical illustration by Francisco Sancha Lengo depicts a scene of domestic life with a touch of humor and social commentary. In this image, we find ourselves in a dimly lit corridor of an English hotel at night. A group of homemaids dressed in traditional nightgowns are busy attending to their duties, holding candle holders to light their way. The atmosphere is both mysterious and intriguing as they go about their work. The engraving showcases the intricate details and craftsmanship of Sancha y Lengo's artistry. It captures the essence of British culture during this time period, highlighting the importance placed on domestic service and hospitality. This piece also offers insight into the relationship between England and France during these years. With references to French tourism and newspapers, it hints at the cultural exchange between these two European nations. "The Butter Plate" serves as a window into history, allowing us to reflect on societal norms and values from over a century ago. Through its clever satire and artistic brilliance, it invites viewers to ponder upon themes such as class dynamics, gender roles, and cultural influences. Overall, this print transports us back in time while reminding us that art has always been an avenue for social critique and self-reflection.
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