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Orphees representation in the underworld Orphee, with his lyre
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Orphees representation in the underworld Orphee, with his lyre
JLJ4656680 Orphees representation in the underworld Orphee, with his lyre, asks permission from Zeus to join Eurydice in the Underworld. Painting by Ambrosius Francken (1544-1618) 17th century Nimes, Museum of Fine Arts. by Francken or Franck, Ambrosius the Elder (1544-1618); (add.info.: Orphees representation in the underworld Orphee, with his lyre, asks permission from Zeus to join Eurydice in the Underworld. Painting by Ambrosius Francken (1544-1618) 17th century Nimes, Museum of Fine Arts.); Photo ePhoto Josse; Netherlandish, out of copyright
Media ID 23323820
© Josse / Bridgeman Images
Flemish Style Hell Jupiter Zeus Lyre Mythological Character
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EDITORS COMMENTS
This print captures the mesmerizing representation of Orpheus in the underworld, as depicted by Ambrosius Francken in his 17th-century painting. In this scene, Orpheus stands with his lyre, seeking permission from Zeus to reunite with his beloved Eurydice in the depths of the Underworld. The artist skillfully portrays Orpheus as a musician and mythological character, highlighting his importance as a symbol of music and art. The Flemish style evident in Francken's work adds depth and richness to the composition, enhancing its emotional impact. Orpheus' plea to Zeus is beautifully conveyed through intricate brushstrokes and vivid colors that bring life to this mythical encounter. The viewer can almost hear the haunting melodies emanating from Orpheus' lyre, echoing throughout Hades. Displayed at the Museum of Fine Arts in Nimes, this painting serves as a testament to Francken's artistic prowess and mastery of storytelling through visual imagery. It transports us back to ancient times when mythology was intertwined with everyday life. As we gaze upon this remarkable artwork captured by Photo Josse, we are reminded of the enduring power of art to evoke emotions and transport us into different realms. This print invites us to immerse ourselves in Greek mythology while appreciating Ambrosius Francken's contribution to artistic history.
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