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Mary, Queen of Hungary (oil on wood)
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Mary, Queen of Hungary (oil on wood)
5667153 Mary, Queen of Hungary (oil on wood) by Vermeyen, Jan Cornelisz (1500-1559) (after); 54.6 x 45.7 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Mary of Austria (1505-58) was queen consort of Hungary and Bohemia as the wife of King Louis II, and 1530-55 Governor of the Seventeen Habsburg Provinces in the Low Countries for her brother Emperor Charles V.); Netherlandish, out of copyright
Media ID 22565856
© Bridgeman Images
Habsbourg Habsburg Habsburg Netherlands Hapsburg Hungarian Jagellon Jagiellon Mary Of Hungary Regent Maria Regina Mary Of Austria Monarch
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EDITORS COMMENTS
This print showcases the exquisite oil painting of "Mary, Queen of Hungary" by Jan Cornelisz Vermeyen. The artwork, measuring 54.6 x 45.7 cm, is housed in the prestigious Metropolitan Museum of Art in New York City. The subject of this regal portrait is Mary of Austria (1505-1558), who held significant positions throughout her life. As queen consort to King Louis II, she reigned over Hungary and Bohemia with grace and elegance. Additionally, from 1530 to 1555, Mary served as the Governor of the Seventeen Habsburg Provinces in the Low Countries on behalf of her brother Emperor Charles V. In this Netherlandish masterpiece, Mary's royal status is emphasized through her opulent attire and majestic presence. She dons a fur-trimmed cap that adds a touch of sophistication to her ensemble while highlighting her position as a powerful ruler. Vermeyen skillfully captures Mary's beauty and strength through his meticulous brushwork and attention to detail. The wooden backdrop further enhances the composition by providing a sense of depth and richness. As we gaze upon this remarkable portrayal, we are transported back in time to witness an influential female leader who left an indelible mark on history. This photograph allows us to appreciate both Vermeyen's artistic talent and Mary's enduring legacy as one of Europe's most prominent figures during the Habsburg era.
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