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The Deer seeing himself in the water. Fables by Jean de La Fontaine (1621-95)

The Deer seeing himself in the water. Fables by Jean de La Fontaine (1621-95)


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The Deer seeing himself in the water. Fables by Jean de La Fontaine (1621-95)

GIA4782409 The Deer seeing himself in the water. Fables by Jean de La Fontaine (1621-95). Illustration by FranAzois Chauveau (1613-1676). Edition of 1728. by Chauveau, Francois (1613-76); Private Collection; (add.info.: The Deer seeing himself in the water. Fables by Jean de La Fontaine (1621-95). Illustration by FranAzois Chauveau (1613-1676). Edition of 1728.); eGiancarlo Costa; French, out of copyright

Media ID 22290814

© Giancarlo Costa / Bridgeman Images

Deer John Of 1621 1695 La Fontaine Artwork Lafontaine Artwork Narcissism Fable


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EDITORS COMMENTS
This print captures a moment from one of Jean de La Fontaine's timeless fables, "The Deer seeing himself in the water". Illustrated by FranAzois Chauveau, this edition dates back to 1728 and showcases the remarkable talent of both artists. In this scene, we witness a majestic deer gazing at its own reflection in the tranquil waters. The image beautifully portrays the theme of narcissism explored in La Fontaine's fable. As the deer admires its own beauty, it becomes entranced by its reflection, unaware that danger lurks nearby. Chauveau's intricate engraving technique brings every detail to life - from the delicate ripples on the water's surface to each strand of fur on the deer's graceful body. The composition exudes a sense of serenity and introspection as we are invited into this quiet moment shared between nature and self-reflection. "The Deer seeing himself in the water" is not only an exquisite piece of artwork but also serves as a reminder for us all to be mindful of our own vanity and ego. La Fontaine's fables continue to resonate through centuries, teaching valuable lessons wrapped within enchanting tales. This particular print holds historical significance with its connection to French literature and artistry during that era. It stands as a testament to Giancarlo Costa's dedication in preserving such masterpieces for future generations to appreciate and learn from.

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