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Recumbent Female Nude and Partial Study of a Second Female Figure, c
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Recumbent Female Nude and Partial Study of a Second Female Figure, c
880428 Recumbent Female Nude and Partial Study of a Second Female Figure, c.1855-60 (black & white chalk on blue-grey laid paper) by Couture, Thomas (1815-79); Minneapolis Institute of Arts, MN, USA; (add.info.: 12 x 18 5/8 in. (30.48 x 47.31 cm) (Irregular)); eMinneapolis Institute of Art; The John De Laittre and the Ethel Morrison Van Derlip Fund; French, out of copyright
Media ID 23242992
© Minneapolis Institute of Art The John De Laittre and the Ethel Morrison Van Derlip Fund / Bridgeman Images
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This black and white chalk print, titled "Recumbent Female Nude and Partial Study of a Second Female Figure" is a masterpiece created by the renowned artist Thomas Couture in the mid-19th century. The print showcases the delicate beauty of two female figures, one reclining gracefully while the other stands partially depicted in this mesmerizing composition. Couture's meticulous attention to detail is evident in every stroke of his sketch on blue-grey laid paper. The contrast between light and shadow adds depth to the image, enhancing its overall allure. The artist skillfully captures the essence of femininity through his portrayal of these figures, emphasizing their elegance and sensuality. The recumbent nude figure takes center stage as she lays serenely with her back turned towards us. Her pose exudes tranquility, inviting viewers to appreciate her vulnerability and natural form. Meanwhile, the partial study of another female figure hints at an intriguing narrative that remains open for interpretation. Displayed at the Minneapolis Institute of Arts in Minnesota, USA, this artwork continues to captivate audiences with its timeless beauty. It serves as a testament to Couture's mastery as an artist and his ability to evoke emotion through his work. Whether admired for its technical brilliance or appreciated for its celebration of feminine grace, this print leaves a lasting impression on all who have the privilege to behold it.
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