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Virgin Annunciate. Peinture de Simone Martini (1280 / 85-1344), 1340-1344. Tempera sur bois. Art gothique. Musee de l Ermitage, Saint Petersbourg

Virgin Annunciate. Peinture de Simone Martini (1280  /  85-1344), 1340-1344. Tempera sur bois. Art gothique. Musee de l Ermitage, Saint Petersbourg


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Virgin Annunciate. Peinture de Simone Martini (1280 / 85-1344), 1340-1344. Tempera sur bois. Art gothique. Musee de l Ermitage, Saint Petersbourg

FIA5327326 Virgin Annunciate. Peinture de Simone Martini (1280/85-1344), 1340-1344. Tempera sur bois. Art gothique. Musee de l Ermitage, Saint Petersbourg by Martini, Simone (1284-1344); State Hermitage Museum, St. Petersburg, Russia; Photo © Fine Art Images

Media ID 24693548

© Fine Art Images / Bridgeman Images

Annunciation Aureola Blessed Virgin Trecento 14 14th Xiv Xivth Century Medieval Period


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EDITORS COMMENTS
This print showcases the exquisite artwork of Simone Martini, a renowned painter from the 14th century. Titled "Virgin Annunciate" this masterpiece was created between 1340 and 1344 using tempera on wood, reflecting the distinct style of Gothic art. Housed in the State Hermitage Museum in Saint Petersburg, Russia, this painting captures a pivotal moment in biblical history - the annunciation. The Blessed Virgin Mary is depicted with grace and serenity as she receives news from the angel Gabriel that she will conceive and give birth to Jesus Christ. Martini's attention to detail is evident in every brushstroke, creating a vivid portrayal of religious devotion. The vibrant colors used bring life to the scene, while delicate touches like an aureola surrounding Mary's head add an ethereal quality. This artwork not only represents Martini's exceptional talent but also serves as a testament to Italy's medieval period known as Trecento. It exemplifies how art played a significant role in depicting biblical stories during this era. As we gaze upon this remarkable piece, we are transported back in time to witness an important event within Christian tradition. This print allows us to appreciate Martini's skillful craftsmanship and deep understanding of religious iconography that continues to captivate audiences today.

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