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Le droit de la premiere nuit (droit de cuissage du seigneur) - The right of the first night - Peinture de Vasili Dmitrievich Polenov (1844-1927), huile sur toile, 1874 - Art russe 19e siecle - State Tretyakov Gallery, Moscou
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Le droit de la premiere nuit (droit de cuissage du seigneur) - The right of the first night - Peinture de Vasili Dmitrievich Polenov (1844-1927), huile sur toile, 1874 - Art russe 19e siecle - State Tretyakov Gallery, Moscou
FIA5340511 Le droit de la premiere nuit (droit de cuissage du seigneur) - The right of the first night - Peinture de Vasili Dmitrievich Polenov (1844-1927), huile sur toile, 1874 - Art russe 19e siecle - State Tretyakov Gallery, Moscou by Polenov, Vasilij Dmitrievich (1844-1927); State Tretyakov Gallery, Moscow; Photo © Fine Art Images
Media ID 24740218
© Fine Art Images / Bridgeman Images
Anxiety Feudalism Shyness Ugliness Virginity Fear Medieval Period Parents
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EDITORS COMMENTS
This print showcases Vasili Dmitrievich Polenov's masterpiece, "Le droit de la premiere nuit (droit de cuissage du seigneur) - The right of the first night". Painted in 1874, this oil on canvas artwork represents the essence of 19th-century Russian art. Housed in the prestigious State Tretyakov Gallery in Moscow, it is a testament to Polenov's exceptional talent. The painting depicts a scene from medieval times, delving into the dark and controversial tradition known as "the right of the first night". With intricate details and vibrant colors, Polenov captures both fear and anxiety within his subjects. A young woman stands before her parents and an ugly feudal lord who claims his privilege to deflower virgins on their wedding nights. The father's cane symbolizes his powerlessness against this oppressive custom. Amidst this tense atmosphere, a loyal dog remains by its master's side while shyness engulfs the young woman. The painting evokes emotions ranging from anger to sadness as it explores themes of beauty, youthfulness, tradition, and parental protection. Polenov skillfully portrays not only physical appearances but also inner turmoil through his use of color and brushstrokes. This remarkable piece serves as a reminder of past injustices while celebrating artistic excellence that transcends time.
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