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The Crown of the Andes, c. 1593 (gold, velvet & emeralds)
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The Crown of the Andes, c. 1593 (gold, velvet & emeralds)
746535 The Crown of the Andes, c.1593 (gold, velvet & emeralds) by Colombian School, (16th Century); 34.5x16 cm; Private Collection; (add.info.: Crown of Our Lady of the Immaculate Conception from the Cathedral of Popayan, Spanish colonial Colombia. Made as a devotional offering to the Virgin Mary in 1593 for relief from a plague in Popayan. Includes the Atahualpa Emerald, allegedly worn by the last Inca Emperor; sold by Pope Pius X in 1915 to raise money for hospitals and orphanages.
The gold bandeau set with 147 small square-cut emeralds with 8 larger square-cut emerald solitaires); Photo eChristies Images; Colombian, out of copyright
Media ID 23011326
© Christie's Images / Bridgeman Images
Andean Colombia Colombian Elaborate Emerald Encrusted Hispanic Inca Incan Jewelled Latin America Latin American Opulent Plague Pre Columbian Precious Stones Precolumbian Votive Ecclesiastical Jewel Jewels Popayan
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EDITORS COMMENTS
This print showcases "The Crown of the Andes" a remarkable piece of art from the Colombian School in the 16th century. Crafted with gold, velvet, and emeralds, this crown measures 34.5x16 cm and is currently held in a private collection. Originally known as the Crown of Our Lady of the Immaculate Conception, it was created in 1593 as a devotional offering to the Virgin Mary during a devastating plague that struck Popayan, Spanish colonial Colombia. The crown holds great historical significance as it includes the Atahualpa Emerald, believed to have been worn by the last Inca Emperor. Intricately designed with exquisite detail, this jewel-encrusted baroque masterpiece features 147 small square-cut emeralds along with eight larger square-cut emerald solitaires set on a golden bandeau. Its opulent appearance reflects both Spanish colonial influence and indigenous pre-Columbian artistry. Interestingly, Pope Pius X sold this crown in 1915 to raise funds for hospitals and orphanages. Despite its sale, its cultural value remains intact as an emblematic representation of Latin American history and heritage. This print captures every facet of this elaborate Renaissance treasure - from its religious symbolism to its connection with ancient civilizations like the Incas. It serves as a testament to Colombia's rich artistic legacy while also highlighting its deep-rooted devotion towards spirituality and tradition.
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