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Emperor Frederic Barberossa submits to Pope Alexander III
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Emperor Frederic Barberossa submits to Pope Alexander III
LRI4576521 Emperor Frederic Barberossa submits to Pope Alexander III, which leads to the 3rd Lateran Council of 1179 (Fresco, 1407-1408). by Spinello or Spinelli, Aretino Luca (c.1340-1410); Palazzo Pubblico, Siena, Italy; (add.info.: History of Pope Alexander III (Orlando Bandinelli, 1105-1181): Emperor Frederic Barberossa (1122-1190) submits to Pope Alexander III, which leads to the 3rd Lateran Council of 1179. Fresco by Spinello Aretino ne Spinello di Luca Spinelli (1350-1410), 1407-1408. Siena. Palazzo Pubblico.); Luisa Ricciarini; Italian, out of copyright
Media ID 23015176
© Luisa Ricciarini / Bridgeman Images
12 12th 12th Xii 12th 13th Century Frederick I Barberousse 1122 1190 Prostration Quattrocento
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EDITORS COMMENTS
This print captures a significant moment in history as Emperor Frederic Barberossa humbly submits to Pope Alexander III, ultimately leading to the 3rd Lateran Council of 1179. Painted by Spinello Aretino ne Spinello di Luca Spinelli in 1407-1408, this exquisite fresco is housed in the Palazzo Pubblico in Siena, Italy. The scene depicts the power dynamics between church and state during the Renaissance period. Emperor Frederic Barberossa, known for his strong rule from 1122 to 1190, is shown prostrating himself before Pope Alexander III. This act of submission symbolizes the emperor's recognition of papal authority and marks a turning point in their relationship. The historical context surrounding this event is crucial. The submission led to the convening of the influential 3rd Lateran Council in 1179, where important ecclesiastical matters were discussed and decisions were made that shaped Catholic doctrine and practice. Luisa Ricciarini's expert photography highlights every intricate detail of this remarkable fresco. Through her lens, viewers can appreciate not only the artistic mastery but also gain insight into a pivotal moment that influenced medieval Europe. This print serves as a testament to both artistic excellence and historical significance. It invites us to reflect on the complex interplay between religion and politics during one of Europe's most transformative periods - an era defined by power struggles and cultural renaissance.
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