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Left panel of the Triptych of Jan Floreins, 1479 (oil on panel)
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Left panel of the Triptych of Jan Floreins, 1479 (oil on panel)
490179 Left panel of the Triptych of Jan Floreins, 1479 (oil on panel)
by Memling, Hans (c.1433-94); Groeningemuseum, Bruges, Belgium; (add.info.: Commissioned by by Brother Jan Floreins, who had himself included discreetly in the central panel, kneeling in prayer behind a low wall. Deep in pious meditation, the sacred events appear before him as in a vision. As was customary with the Flemish Primitives, the biblical story is given a medieval Flemish setting - a picturesque city view in a rolling, green landscape. The left wing shows the Birth of Christ, while the one on the right features the Presentation in the temple.); © Art in Flanders
Media ID 28435864
© Art in Flanders / Bridgeman Images
Birth Hans Memling Joseph Memling Hans 1433 1494 Nativity 15th 15 Xv Xvth Fifteenth Century Flemish Art Flemish Artist
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EDITORS COMMENTS
This print showcases the left panel of the Triptych of Jan Floreins, a masterpiece created by Hans Memling in 1479. Commissioned by Brother Jan Floreins himself, this triptych holds immense religious significance and artistic brilliance. In this particular panel, we witness the Birth of Christ depicted with meticulous attention to detail. Set against a medieval Flemish backdrop, complete with a picturesque city view and rolling green landscape, the scene unfolds before our eyes. The central figure is Brother Jan Floreins, discreetly included in the painting as he kneels behind a low wall in deep prayer and pious meditation. Through his devout contemplation, sacred events materialize like visions. The birth of Jesus Christ takes center stage as angels hover above, filling the air with celestial grace. A donkey and an ox stand nearby, witnessing this miraculous moment alongside Joseph and Mary - symbols of humility and devotion. Memling's masterful brushstrokes bring life to every element within this artwork. As we gaze upon this print from Fine Art Finder, we are transported back to the fifteenth century when Flemish art flourished under Memling's skilled hand. This piece serves as a testament to his talent as both a painter and artist while capturing timeless themes from biblical narratives.
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