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Madonna and Child in glory with Seraphin, 1470 circa, (tempera on wood)
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Madonna and Child in glory with Seraphin, 1470 circa, (tempera on wood)
7146317 Madonna and Child in glory with Seraphin, 1470 circa, (tempera on wood) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Madonna and Child in glory with Seraphin, 1470 circa, Sandro Botticelli, tempera on wood, Uffizi gallery, Florence, Italy); Photo © Stefano Baldini
Media ID 31971995
© Stefano Baldini / Bridgeman Images
Aureoles Blessed Virgin Blessed Virgin Mary Care Caring Christ The King Halos Head Dress Head Scarf Headscarf Headscarves Holy Art Holy Image Holy Virgin Holy Virgin Mary Icon Madonna And Child Madonna With Child Mama Mamma Mary And Child Mater Dei Parental Religious Illustration Religious Image Religious Imagery Religous Icon Sacred Icon Sacred Picture Spiritual Spiritual Life Spirituality Spirtuality St Mary The Virgin Symbole Symbolical Representation Symbology Take Care Taking Care Virgin And Child Virgin Mry Virgo Immaculata 15th 15 Xv Xvth Fifteenth Century Aureole Biblical Charcter Biblical Figure Catholic Religion Catholics Christ Jesus Halo Jesus Of Nazareth New Baby New Born New Born Babes New Born Infant Newborn Newly Born Parent Parents Quattrocento Reinassance Renaissance Time Semi Nude Symbolic Symbols
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EDITORS COMMENTS
This print showcases Botticelli's masterpiece, "Madonna and Child in glory with Seraphin" dating back to 1470. The painting, created using tempera on wood, is housed in the prestigious Galleria degli Uffizi in Florence, Italy. In this religious image, we witness the divine bond between the Virgin Mary and baby Jesus Christ. Madonna is depicted as a caring mother, her headscarf symbolizing her spirituality and devotion. She cradles her child tenderly while surrounded by heavenly angels known as Seraphin. The artist's attention to detail is evident through his meticulous brushwork and use of vibrant colors. The golden halos adorning both Madonna and Child signify their sacredness within Catholicism and Christianity. Botticelli's work reflects the artistic style of Quattrocento Renaissance period characterized by its emphasis on naturalistic figures and spiritual symbolism. This piece serves as a testament to his mastery of capturing human emotion within religious contexts. As we gaze upon this remarkable painting through Stefano Baldini's lens, we are transported back in time to experience the profound beauty that has captivated art enthusiasts for centuries. It reminds us of the enduring power of faith and love portrayed through timeless works of art like this one.
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