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The Call for the last victims of the Terror, 7-9 Thermidor, Year 2 (25-27 July 1794)
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The Call for the last victims of the Terror, 7-9 Thermidor, Year 2 (25-27 July 1794)
PCT164363 The Call for the last victims of the Terror, 7-9 Thermidor, Year 2 (25-27 July 1794), after 1850 (oil on canvas) (see detail 164364) by Muller, Charles Louis Lucien (1815-92); 160x186 cm; Musee des Beaux-Arts, Carcassonne, France; (add.info.: L Appel des dernieres victimes de la Terreur dans la prison Saint-Lazare; replica of the original painting in Versailles see 159341; reading out names from a list; ); French, out of copyright
Media ID 22216878
© Bridgeman Images
Captive Condemned Convict Despair Guillotine Prison Roll Call Sentenced Summons Trial Tricolore Victim Waiting Wretched French Revolution Prisoner
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The Call for the Last Victims of the Terror - A Haunting Reminder of Despair and Hopelessness
EDITORS COMMENTS
. This print captures a pivotal moment in history, depicting "The Call for the last victims of the Terror" during the French Revolution. Painted by Charles Louis Lucien Muller, this oil on canvas artwork showcases a scene from 7-9 Thermidor, Year 2 (25-27 July 1794), after 1850. Measuring an impressive 160x186 cm, this masterpiece is housed in Musee des Beaux-Arts in Carcassonne, France. The painting portrays a solemn gathering within the confines of Saint-Lazare prison as names are read out from a list. Each face reflects despair and resignation as these individuals await their fate - sentenced and condemned to meet their demise under the guillotine. The artist's attention to detail is evident in every brushstroke, capturing not only the physical appearance but also conveying emotions that resonate with viewers even centuries later. The tricolore flag hanging ominously overhead serves as a chilling reminder of revolutionary fervor turned into oppression. This replica painting holds significant historical value as it replicates an original piece displayed at Versailles (see detail 164364). It serves as a poignant testament to those who suffered during one of history's darkest periods – victims caught up in political turmoil beyond their control. As we gaze upon this image, we cannot help but be moved by its power and significance. It stands as
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