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Nature morte avec autoportrait - Still life with self portrait - Oeuvre de Nikolai Nikolayevich Sapunov (Sapounov) (1880-1912), tempera sur carton, 1910-1911 - Art russe, 20e siecle, modernisme - Collection privee
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Nature morte avec autoportrait - Still life with self portrait - Oeuvre de Nikolai Nikolayevich Sapunov (Sapounov) (1880-1912), tempera sur carton, 1910-1911 - Art russe, 20e siecle, modernisme - Collection privee
FIA5345295 Nature morte avec autoportrait - Still life with self portrait - Oeuvre de Nikolai Nikolayevich Sapunov (Sapounov) (1880-1912), tempera sur carton, 1910-1911 - Art russe, 20e siecle, modernisme - Collection privee by Sapunov, Nikolaj Nikolaevic (1880-1912); Private Collection; Photo © Fine Art Images
Media ID 24710784
© Fine Art Images / Bridgeman Images
Bouquet Self Portrait Selfportrait
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This print showcases the mesmerizing artwork titled "Nature morte avec autoportrait - Still life with self portrait" by Nikolai Nikolayevich Sapunov. Created between 1910-1911, this piece is a testament to the artist's talent and his contribution to Russian art in the 20th century. The painting, executed in tempera on cardboard, exudes a sense of modernism that was prevalent during that era. The vibrant colors and intricate details bring life to the composition, which features a bouquet of flowers alongside a striking self-portrait of Sapunov himself. Sapunov's self-portrait adds an intriguing element to the still life arrangement. It allows viewers to catch a glimpse into the artist's persona and contemplate his role as both creator and subject. This introspective touch adds depth and meaning to an otherwise traditional genre. The image captures every brushstroke with precision, highlighting Sapunov's mastery over color and form. His ability to capture light and shadow creates a sense of realism that draws viewers into the scene. Displayed in a private collection, this artwork serves as a reminder of Sapunov's artistic legacy. Through this print from Fine Art Finder, we are able to appreciate not only his technical skill but also his unique perspective on still life painting within the context of early 20th-century Russia.
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