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The Art of Making Oneself Loved by Ones Wife, c. 1825 (colour litho)

The Art of Making Oneself Loved by Ones Wife, c. 1825 (colour litho)


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The Art of Making Oneself Loved by Ones Wife, c. 1825 (colour litho)

CHT221648 The Art of Making Oneself Loved by Ones Wife, c.1825 (colour litho) by Hippolyte (fl.1825); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: L Art de se faire aimer de sa femme; ); © Archives Charmet

Media ID 25456090

© Archives Charmet / Bridgeman Images

Beating Domestic Violence Ironical Irony Quarrel Sexes Violent Whipping


FEATURES IN THESE COLLECTIONS

> Arts > Pop art > Irony and satire > Satirical artwork

> Arts > Pop art > Irony > Satirical artwork

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Paris > Museums > Musee Carnavalet

> Europe > France > Paris > Related Images

> Fine Art Finder > Artists > Ferdinand Victor Eugene Delacroix

> Fine Art Finder > Artists > Hippolyte (1797-1856) Delaroche

> Fine Art Finder > Cartoons, Caricatures & Humour


EDITORS COMMENTS
This vibrant lithograph from 1825, titled "The Art of Making Oneself Loved by One's Wife" captures a scene filled with irony and satire. Created by the artist Hippolyte, this artwork is housed in the Musee Carnavalet in Paris, France. In this image, we witness a quarrel between a husband and wife. The composition is laced with elements of violence and domestic discord, as the man appears to be whipping his wife while she defends herself. However, upon closer inspection, it becomes clear that this depiction is meant to be ironic and satirical. Through clever caricature and biting humor, Hippolyte exposes societal norms surrounding gender roles and power dynamics within marriage. This satirical cartoon challenges traditional notions of male dominance while shedding light on the issue of domestic violence. With its scathing commentary on marital relationships during the early 19th century, this print serves as a powerful reminder of how art can provoke thought and spark conversations about important social issues. It stands as an enduring testament to the artist's ability to use satire to critique prevailing attitudes towards women at that time. As we gaze upon this piece today, let us reflect on how far society has come in addressing such matters while acknowledging that there is still work to be done in creating equal partnerships based on love and respect.

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