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Fragment from Christ Carrying the Cross: Mourning Virgin, 1500-05 (oil on panel)
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Fragment from Christ Carrying the Cross: Mourning Virgin, 1500-05 (oil on panel)
5862022 Fragment from Christ Carrying the Cross: Mourning Virgin, 1500-05 (oil on panel) by Master of Moulins (Jean Hey), (fl.c.1483-c.1529); The Art Institute of Chicago, IL, USA; (add.info.: By Jean Hey, (the Master of Moulins))
Media ID 38201774
© Bridgeman Images
Art (fine Art) Bible (character) Bible (scene) Blessed Virgin Blessed Virgin Mary C16h Feelings Forlorn Grief Grieving Holy Art Holy Image Holy Virgin Icon Mater Dei Melancholia Melancholy Mournful Oil (painting) Oil On Wood Pray Prayers Religious Illustration Religious Image Religious Imagery Religous Icon Sacred Icon Sacred Picture St Mary The Virgin Unhappiness Unhappy Virgin Mry Virgo Immaculata
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> (fl.c.1483-c.1529) Master of Moulins
EDITORS COMMENTS
This stunning print captures the emotional depth and exquisite detail of the Fragment from Christ Carrying the Cross: Mourning Virgin by Master of Moulins. The painting, created between 1500-05, showcases a scene of profound sadness and grief as the Virgin Mary mourns her son's journey to Calvary.
The colors in this piece are rich and vibrant, adding to the intensity of emotion portrayed on the panel. The artist's skillful use of light and shadow creates a sense of depth and realism that draws viewers into the scene.
The woman depicted in this fragment is not just any figure - she is a symbol of strength, faith, and unwavering love. Her expression conveys a deep sense of melancholy and sorrow that resonates with anyone who gazes upon her.
As we contemplate this image, we are reminded of the power of art to evoke powerful emotions and connect us to timeless stories from biblical events. The Master of Moulins has captured a moment that transcends time, inviting us to reflect on themes such as loss, sacrifice, and redemption.
This print serves as a window into another world - one filled with beauty, pain, and ultimately hope. It is a testament to the enduring power of religious imagery in art history and invites us to explore our own feelings about faith, suffering, and salvation.
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